Welcome to DisneyBizJournal.com - News, Analysis and Reviews of the Disney Entertainment Business!

Brought to fans, investors, entrepreneurs, executives, teachers, professors, and students by columnist, economist, novelist, reviewer, podcaster, business reporter and speaker Ray Keating

Friday, September 16, 2022

Animal Kingdom’s “KiteTails” Ending September 30

 by Beth Keating

News

DisneyBizJournal.com

September 16, 2022

 

Disney World’s Animal Kingdom will be saying good-bye to its brightly colored KiteTails show on September 30, so if you haven’t already seen it, you only have a little less than two weeks to catch the critters while they are still in the air.

 

The show first took flight in October 2021 as part of Disney World’s 50th Anniversary celebration, with larger-than-life, 30-foot-long kites filling the skies above the Discovery River Lagoon.  In its original iteration, there were two different sit-down shows that merged the beautiful kites with upbeat Disney music from the respective movies.  Before the kites took off, colorful props paraded through the amphitheater, supported by dancing cast members.



Guests could experience either The Lion King show, featuring kites inspired by Simba, Zazu, and more; or The Jungle Book, featuring kites inspired by King Louie, Baloo and friends. The show lasted about fifteen minutes, and while guests were awed by the enormous character kites being hauled around the waterway by jet skis, it took some guests off-guard when the kites crash landed (on purpose) into a landing zone in one of the empty sections of amphitheater benches.

 

In recent months, though, the shows were trimmed down into shorter, five-minute displays, and guests did not need to sit down to watch the kites, but could see the performances from various points along the lagoon. The pre-show dancing cast members were also missing since the spring.

 

The final shows run from 9:10 am to 3:10 pm, approximately every twenty minutes, through the end of the month.

 

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Beth Keating is a theme parks, restaurant and entertainment reporter for DisneyBizJournal.

 

Please support the efforts of DisneyBizJournal.com to bring news, analysis and commentary on Disney to readers such as yourself. Make a contribution right here via PayPal. Thanks!

 

Thursday, September 15, 2022

If You Haven’t Seen “Avatar” on the Big Screen, Now’s Your Chance

by Beth Keating

News

DisneyBizJournal.com

September 15, 2022

 

The first time our boys rode “Flight of Passage” at Disney’s Animal Kingdom, they hadn’t seen the 2009 Avatar movie that the ride is based on.  And while, strictly speaking, you can thoroughly enjoy this amazing ride without having seen the movie, it certainly helps to have the origin story for the spectacular land of Pandora.  (Seriously, don’t miss Flight of Passage… it is arguably one of the two best rides at Disney World.)

 

If you want the opportunity to see the Avatar movie on the big screen, now’s your chance.  Avatar will be back in select theatres in 4K High Dynamic Range on September 23, and will run through October 6. Avatar is rated PG-13.  It’s the top-grossing film of all time, at $2.84 billion in ticket sales, according to The Hollywood Reporter




Avatar was written and directed by Academy Award winner James Cameron, and stars Sam Worthington, Zoe Saldaña, Stephen Lang, Michelle Rodriguez and Sigourney Weaver.  The film was nominated for nine Academy Awards, including Best Picture and Best Director; and won three Oscars for Best Cinematography, Production Design and Visual Effects.

The four – yes, four -- sequels to Avatar are currently in production, and will no doubt bring even bigger crowds to the already popular land of Pandora at Animal Kingdom.  The first of the sequels, Avatar: The Way of Water, is expected December 16, 2022, having been previously pushed back several times.

 

In addition to “Flight of Passage,” where guests take a 3D ride on the back of their very own mountain banshee through the Pandoran landscape, the land also includes the slower moving “Na’Vi River Journey,” a boat ride that takes visitors past the bioluminescent flora and fauna of Pandora in search of “the Shaman of Song,” an animatronic that is so lifelike many guests mistake her for an actual cast member.  The rest of the Valley of Mo’ara, especially at night, wows visitors with plunging waterfalls, floating mountains, and, if you are lucky enough to be there after dark, a stunning glowing landscape.  Stop in at the Satu’li Canteen, the former “mess hall,” for some of the coveted cheeseburger pods, or grab a glass of Hawkes’ Grog Ale, a green shaded draft beer brewed just for the land of Pandora.

 

If you missed the movie in the past, now’s your chance to catch up before the storyline continues on… or just so you know what’s happening at Animal Kingdom.

 

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Beth Keating is a theme parks, restaurant and entertainment reporter for DisneyBizJournal.

 

Please support the efforts of DisneyBizJournal.com to bring news, analysis and commentary on Disney to readers such as yourself. Make a contribution right here via PayPal. Thanks!

Tuesday, September 13, 2022

Mickey's 2022 Not-So-Scary Halloween Parties Now Sold Out

 by Beth Keating

News

DisneyBizJournal.com

September 13, 2022

 

You snooze, you lose… 

 

If you haven’t already purchased your tickets for the very popular “Mickey’s Not-So-Scary Halloween Party,” you are out of luck.  All the remaining party dates have sold out.  

 


The specially-ticketed Magic Kingdom after-hours party, returning for the first time since COVID closures, opened on August 12, and runs through October 31.  (Remember the days when you could check the weather forecast, then walk up to the ticket window and buy tickets for that night’s event?)

 

Ticket prices for the 37 party dates ranged from $109 to $199, with prices increasing closer to Halloween. While the scheduled party activities run from 7 p.m. until midnight, ticket holders are able to gain admission to the park as early as 4:00 p.m.   (The Magic Kingdom closes to regular park guests at 6 p.m., so if you are coming to Disney World in the next few weeks and aren’t planning to attend Mickey’s Not-So-Scary, be sure to check the party dates so you know if your park day will be cut short by an earlier closure time. Maybe plan on park hopping, or choose a different park for the day.)



Returning this year as part of the festivities is the Headless Horseman’s ride down Main Street, the “Boo-to-You” parade with its haunting music and special holiday costumes for characters, and the Sanderson Sisters’ Hocus Pocus “Villain Spelltacular” on the castle stage. Trick-or-treat stops are available to fill your goodie bag, and the Cadaver Dans are back with their “dead pan” humor. A holiday fireworks and projections show at the castle also adds to the party atmosphere.

 

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Beth Keating is a theme parks, restaurant and entertainment reporter for DisneyBizJournal.

 

Please support the efforts of DisneyBizJournal.com to bring news, analysis and commentary on Disney to readers such as yourself. Make a contribution right here via PayPal. Thanks!

Monday, September 12, 2022

Does Bob Chapek Fully Get the Idea of Customer Service?

 by Ray Keating

Commentary

DisneyBizJournal.com

September 12, 2022

 

If any major company was built on leadership and the idea of customer service, it would have to be The Walt Disney Company. Walt Disney set the bar high, and few entrepreneurs and CEOs will ever come close to his achievements. But there are times when one wonders just how far short Disney’s current CEO, Bob Chapek, might fall?



Chapek, of course, took over as Disney CEO days before COVID-19 shutdown the company, and he and Disney, like most other businesses, have been working to get back on track ever since. But Chapek heads up Disney, which often seems to be the most closely watched company on the planet given that it has so many dedicated fans, and many of them with video blogs and podcasts. So, to say that Chapek has been put under the microscope is to understate things.

 

Over the D23 weekend, however, Chapek attempted to put himself out there with his own, unencumbered vision of the company. The strange thing is that, based on two interviews he did – one with The Hollywood Reporter and another with the Los Angeles Times – Chapek still stumbled in odd ways, and by doing so raised some additional questions.

 

For example, in his interview with Hollywood Reporter, Chapek was asked about getting some blowback from “superfans” regarding price increases and whether that might create some problems for the brand. The “superfans” mention was hardly the centerpiece. Instead, this was a pricing question during a time of inflation. Here’s Chapek’s answer as supplied by HR, and I quote it in full given that he has received some criticism for this:

 

We love all our fans equally. We love the superfans, obviously. But we also like the fans that don’t have the same expression of their fandom. We want to make sure that our superfans who love to come with annual passes and use [the parks] as their personal playground — we love that. We celebrate that. But at the same time, we’ve got to make sure that there’s room in the park for the family from Denver that comes once every five years. We didn’t have a reservation system and we didn’t control the number of annual passes we distributed and frankly, the annual pass as a value was so great that people were literally coming all the time and the accessibility of the park was unlimited to them, and that family from Denver would get to the park and not be let in. That doesn’t seem like a real balanced proposition. I guess it’s possible that the superfans look at that as a disadvantaging of the way they consume the park, but we’ve got to make sure that not only are we heeding the needs of our superfans, but we’re heeding the needs of everyone who travels from across the country one time every five years. We have a real high-class problem: We have much more demand than there is supply. What we will not bend on is giving somebody a less than stellar experience in the parks because we jammed too many people in there. If we’re going to have that foundational rule, you have to start balancing who you let in. … Our ticket prices and constraints we put on how often people can come and when they come is a direct reflection of demand. When is it too much? Demand will tell us when it’s too much.

 

What’s most striking is that even as businesses across industries are being forced to raise prices due to inflation and labor market issues, Chapek seems to go out of his way to pick on annual passholders, that is, on the company’s most loyal customers. Yes, he says that Disney loves all its fans, including superfans with annual passes. But he walks the line by saying that annual passholders treat the parks as their “personal playgrounds” (yikes, poor choice of words), but again he says “we love that.” And then he decides to pit a family from Denver who visits once every five years against annual passholders. Why? What’s the upside? The answer: There is none. 

 

He goes on talk about managing demand, etc. Obviously, Disney, like other theme park operators, has to figure out how to manage demand and not suffer from overcrowding. But again, why go out of your way to basically pick a fight with superfans, including annual passholders, or at least give the appearance of doing so? This either illustrates a disregard for certain customers (again, your most loyal), or a tone deafness on Chapek’s part as to how his words will be received.

 

On the matter of leadership, at another point in the HR interview, Chapek is asked about the Scarlett Johansson controversy. His answer for a CEO of a company was striking. He said, according to HR, “There were a lot of people that got a vote in how we handled that. And I was one voice, and I’ll just say that our relationship with her agency and her has never been better.” Hmmm, apparently, the buck doesn’t stop at Chapek’s desk. 

 

As for the Los Angeles Times interview, Chapek was asked about the Florida so-called “Don’t Say Gay Bill” that Disney got itself entangled in. Chapek spun it as turning out to be “a big opportunity” to get input from employees. Really? In reality, it seems like no one came out of that pleased with how Disney handled matters, including assorted employees and many customers, and many shareholders, no doubt, weren’t enthralled with the company becoming a political football. The hope, with issues like this, is that they quickly fade in the public’s memory as many, if not most, political issues do. But this was anything but a stellar example of leadership.

 

Staying focused on customer service and leadership in these interviews – a good number of issues were covered – Chapek was absolutely right in declaring that the “consumer essentially dictates everything.” Now, has Disney’s CEO taken that to heart? On the job training is tough anywhere, but particularly as the CEO of Disney. And if customer service turns out to be seen as mere lip service, then, yes, consumers will punish a company accordingly.

 

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Ray Keating is the editor, publisher and economist for DisneyBizJournal.com; and author of the Pastor Stephen Grant thrillers and mysteries, and the Alliance of Saint Michael novels; and assorted nonfiction books. Have Ray Keating speak your group, business, school, church, or organization. Email him at raykeating@keatingreports.com.

 

The views expressed here are his own – after all, no one else should be held responsible for this stuff, right? Full disclosure: Keating is Disney shareholder.

 

Two great ways to order Cathedral: An Alliance of Saint Michael Novel, which is Ray’s sixteenth work of fiction, and the first in the Alliance of Saint Michael series. Signed paperbacks here and the Kindle edition here

 

Two great ways to order Ray Keating’s new nonfiction book – The Weekly Economist: 52 Quick Reads to Help You Think Like an Economist. Signed paperbacks here, and paperbacks, hardcovers and Kindle editions here.  

 

Get all of Ray Keating Pastor Stephen Grant thrillers and mysteries in paperback and for the Kindle at Amazon.com and signed books at www.RayKeatingOnline.com

 

Also, check out Ray’s podcasts – the Daily Dose of DisneyFree Enterprise in Three Minutes, and the PRESS CLUB C Podcast.

Thursday, September 8, 2022

Former Disney CEO Bob Iger and the Movie Business

 by Ray Keating

Analysis

DisneyBizJournal.com

September 8, 2022

 

The headlines about Bob Iger’s views on the future of the movie business seem to be everywhere. And since Iger is no longer Disney’s CEO, he apparently feels comfortable talking more freely about his take on the future of people heading to the movie theater.

 

Speaking at Vox Media’s Code Conference in Beverly Hills on Wednesday (September 7), the headline takeaway is that Iger doesn’t see theatergoing returning to pre-pandemic levels … ever.



According to CNBC’s report, Iger declared, “I don’t think movies ever return, in terms of moviegoing, to the level that they were at pre-pandemic.” Iger didn’t say that movies were dead, but he argued that the convenience of streaming was the key to restraining movies in theaters.

 

Now, Iger might be right. But as time passes, the unknowns about how much streaming will cut into theater attendance arguably have only grown. There certainly are anecdotes that raise questions about Iger’s assertion, such as the success of a film like Top Gun: Maverick ($1.44 billion globally, including $702 million domestic) and the fact that I recently went to a Fathom Events showing of Star Trek II: The Wrath of Khan, originally released in 1982, to a pretty darn full theater.

 

Along these lines, CNBC raises some critical points, including the following:

 

Between January and the end of August, the domestic box office generated around $5.3 billion, down around 31% compared to 2019. It remains on pace to deliver around $7.5 billion in total ticket sales by the end of the year. For comparison, in 2019 the box office tallied $11.4 billion for the full year. There are other factors leading to this decline in box office, including a significantly smaller number of film releases. Only 46 films have been widely released domestically during the first eight months of the year. During the same period in 2019, 75 films had been released widely.

 

Considering the reduction in the number of releases, the falloff in box office revenues in 2022 versus 2019 isn’t out of line. In fact, the revenue numbers seem to have held up fairly well given that smaller number of releases.

 

For good measure, it pays to keep in mind that attendance at sporting events has recovered to a significant degree, with MLB attendance in 2022 down by about 5 percent versus the same time in 2019.  And in 2021, NFL attendance actually moved above the 2019 level.

 

If studios get back to sending quality films to movie theaters, will the box office really never get back to 2019 levels due to streaming? Hmmm. Bob Iger thinks so. I’m not so sure.

 

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Ray Keating is the editor, publisher and economist for DisneyBizJournal.com; and author of the Pastor Stephen Grant thrillers and mysteries, and the Alliance of Saint Michael novels; and assorted nonfiction books. Have Ray Keating speak your group, business, school, church, or organization. Email him at raykeating@keatingreports.com.

 

The views expressed here are his own – after all, no one else should be held responsible for this stuff, right?

 

Two great ways to order Cathedral: An Alliance of Saint Michael Novel, which is Ray’s sixteenth work of fiction, and the first in the Alliance of Saint Michael series. Signed paperbacks here and the Kindle edition here

 

Two great ways to order Ray Keating’s new nonfiction book – The Weekly Economist: 52 Quick Reads to Help You Think Like an Economist. Signed paperbacks here, and paperbacks, hardcovers and Kindle editions here.  

 

Get all of Ray Keating Pastor Stephen Grant thrillers and mysteries in paperback and for the Kindle at Amazon.com and signed books at www.RayKeatingOnline.com

 

Also, check out Ray’s podcasts – the Daily Dose of DisneyFree Enterprise in Three Minutes, and the PRESS CLUB C Podcast.

Saturday, September 3, 2022

Can’t Get To Anaheim? Watch D23 Expo 2022 Live From Home

 by Beth Keating

News

DisneyBizJournal.com

September 3, 2022

 

The countdown to the soldout D23 Expo 2022 in Anaheim has begun, but Disney fans who weren’t fortunate enough to snap up tickets can still participate in the 3-day fanfest from the comfort of their own home. While the excitement level might not be the same, the livestreams will still help keep fans “in the know.”

 

Hosts Ashley Eckstein, Juju Green, Bret Iwan, and others will bring many of the panels and presentations, live interviews, celebrity moments, and special announcements to viewers from the show floor via livestream.  The streams will take place September 9, 10, and 11 starting at 10 a.m. PT. An ASL stream will also be available.



• September 9

 

Disney Legends Award Ceremony – 10:30 a.m.-12 noon – Disney100 kicks off at the D23 Expo with the 35th Anniversary of the Disney Legends Awards Ceremony. The event will honor those visionaries and artists who have made significant contributions to the Disney legacy. This year’s honorees include Anthony Anderson, Kristen Bell, Chadwick Boseman, Rob’t Coltrin, Patrick Dempsey, Robert Price “Bob” Foster, Jonathan Groff, Don Hahn, Josh Gad, Doris Hardoon, Idina Menzel, Chris Montan, Ellen Pompeo, and Tracee Ellis Ross.

 

Disney & Marvel Games Showcase – 1 p.m.-1:40 p.m. – Announcements, trailers, and reveals about new and upcoming Disney, Pixar, Marvel, Lucasfilm, and 20th Century Studios games.

 

Disney For Scores Podcast Live Celebrates Marvel Music – 2:30 p.m.-3:30 p.m. – Celebrate the music of Marvel when Variety's Jon Burlingame hosts his Disney For Scores Podcast live, featuring interviews with composers of favorite Marvel series and films. 

 

Disney Legends in Conversation – 4 p.m.-5 p.m. – The new class of Disney Legends share stories about their careers.

 

D23 Expo Mousequerade 2022 – 6:00 p.m.-7:30 p.m. – Nina West and guest judges Yvette Nicole Brown, Ashley Eckstein and Ally Maki host “The Ultimate Disney Costume Contest.”  

 

• September 10

 

Talkin’ Pets with the Vets of National Geographic – 10:30 a.m.-11:30 a.m. – Join National Geographic’s vet sensations Dr. Pol and his wife Diane (“The Incredible Dr. Pol”); Critter Fixer Dr. Vernard Hodges; and Dr. Geoff, Dr. Jen and animal keeper Rain from Magic of Disney’s Animal Kingdom for a heartwarming look behind the scenes of their popular series.

 

Bob’s Burgers – 12 p.m.-1 p.m. – The cast and creators of the Emmy Award winning animated series Bob’s Burgers will share breaking news during a lively panel discussion.

 

Marvel Comics: Celebrating 60 Years of the Amazing Spider-Man – 2 p.m.-3 p.m. – Join Executive Spider-Editor Nick Lowe and Editor in Chief C.B. Cebulski in a discussion about the comic’s history of the web-head across six decades—and BEYOND! Tantalizing trivia about the webbed wonder will be shared in this can't-miss panel.

 

Disney’s Epic Entertainment Showcase: The Musical: The Extravaganza! – 3:30 p.m.-5:15 p.m. – Talent appearances, performances, and never-before-seen previews of Disney+, Disney Channel, and Disney Junior content. Guest appearances will include:

 

Disney+

  • American Born Chinese: Executive producer Kelvin Yu and stars Michelle Yeoh, Daniel Wu, and Ben Wang
  • Growing Up: Executive producer and director Brie Larson and series subject Vanessa Aryee
  • High School Musical: The Musical: The SeriesStars Joshua Bassett, Sofia Wylie, Matt Cornett, Julia Lester, Dara Reneé, Frankie Rodriguez, Saylor Bell Curda, Adrian Lyles, Larry Saperstein, Joe Serafini, and Liamani Segura
  • National Treasure: Edge of HistoryStars Catherine Zeta-Jones, Lisette Olivera, Zuri Reed, Lyndon Smith, Antonio Cipriano, Jordan Rodrigues, and Jake Austin Walker
  • Percy Jackson and the OlympiansExecutive producer and author Rick Riordan and special guests
  • Prom Pact and Doogie Kamealoha, M.D.: Stars Peyton Elizabeth and Milo Manheim
  • Choir: Detroit Youth Choir and choir director Anthony White
  • The Muppets Mayhem: Stars Lilly Singh and The Electric Mayhem, including Teeth, Floyd, Lips, Zoot, Janice, and Animal
  • The Proud Family: Louder and ProuderCreator and executive producer Bruce W. Smith, executive producer Ralph Farquhar, and cast members Paula Jai Parker, Alisa Reyes Karen Malina White, Soleil Moon Frye, and JoMarie Payton
  • The Santa Clauses: Stars Disney Legend Tim Allen, Elizabeth Mitchell, Kal Penn, Elizabeth Allen-Dick, Austin Kane, Matilda Lawler, Devin Bright, and Rupali Redd
  • ZOMBIES 3Stars Milo Manheim, Meg Donnelly, Kylee Russell, Carla Jeffery, Trevor Tordjman, Chandler Kinney, Pearce Joza, Matt Cornett, Terry Hu, and Kyra Tantao

Disney Channel

  • Marvel’s Moon Girl and Devil DinosaurExecutive producers Laurence Fishburne and Steve Loter, and cast members Diamond White, Fred Tatasciore, and Libe Barer
  • Phineas and Ferb: Creators Dan Povenmire and Jeff “Swampy” Marsh
  • Raven’s HomeStars Raven-Symoné, Issac Ryan Brown, Mykal-Michelle Harris, Felix Avitia, Emmy Liu-Wang, and Rondell Sheridan
  • Under Wraps 2: Stars Malachi Barton, Christian J. Simon, Sophia Hammons, and Phil Wright

Disney Junior

  • Alice’s Wonderland Bakery: Star Donald Faison
  • Firebuds and Alice’s Wonderland Bakery: Star Yvette Nicole Brown
  • Marvel’s Spidey and his Amazing Friends and Mickey Mouse Funhouse: Star John Stamos
  • Mickey Mouse Funhouse: Star Harvey Guillén

 

D23 Disney Stars Trivia Showdown – 6 p.m.-6:20 p.m. – Nina West hosts celebrity contestants and audience members as they compete in Disney games, Disney trivia, physical challenges.

 

The Making of Disney100: The Exhibition – 6:30 p.m.-7:30 p.m. – Producers from Walt Disney Archives, Semmel Exhibitions, and Studio TK reveal illuminating details about the all-new exhibition celebrating 100 Years of Disney Wonder, scheduled to premiere at The Franklin Institute in Philadelphia in February 2023.

 

• September 11

 

A Boundless Future: Disney Parks, Experiences and Products – 10:30 a.m.-12 noon – Walt Disney Parks, Experiences and Products Chairman Josh D’Amaro will make announcements and updates on the magic happening around the world in parks, on the high seas, at home, and beyond. Every Disney fan will want to be a part of this presentation full of exciting news and surprises.

 

Walt Disney Imagineering: 70 Years of Making the Impossible, Possible – 1 p.m.-2:30 p.m. – Disney Imagineers past and present discuss the core elements of storytelling and innovation that bring dreams to life for guests from all around the world.

 

Explore the World with the Next Generation of National Geographic! – 3:45 p.m.-4:45 p.m. – Meet the exciting next generation of National Geographic stars who are taking viewers to the most remote locations on Earth in pursuit of breathtaking landscapes, extraordinary wildlife, exotic foods, epic challenges, and undercover storytelling.

 

D23 Disney Stars Trivia Showdown – 5 p.m.-5:20 p.m. – Nina West hosts celebrity contestants and audience members as they compete in Disney games, Disney trivia, physical challenges.

 

The livestream schedule and guest appearances are subject to change. For more information about the sessions, visit D23Expo.com.  The livestreams can be accessed at https://d23expo.com/live.

 

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Beth Keating is a theme parks, restaurant and entertainment reporter for DisneyBizJournal.

 

Please support the efforts of DisneyBizJournal.com to bring news, analysis and commentary on Disney to readers such as yourself. Make a contribution right here via PayPal. Thanks!

 

Friday, September 2, 2022

Take Advantage of Special Movie Deals for National Cinema Day

 by Beth Keating

News

DisneyBizJournal.com

September 2, 2022

 

It surely has been a long road back from the days of COVID closures for local movie theatres, and many of them are still struggling to find their audiences. To entice viewers to join them in person, AMC Theatres will be hosting National Cinema Day on September 3, 2022. All tickets, including IMAX and Dolby Cinema, are only $3 (plus tax).  Concession stand specials include a fountain drink & Cameo-sized popcorn combo for $5 (plus tax). Kick off your holiday weekend with a trip to the movies!  



In addition, from September 8-19, 2022, you can take advantage of $5 (plus tax) Disney movies to celebrate Disney+ Day on September 8.  Disney+ subscribers will receive a free Disney+ poster with eligible ticket purchase (while supplies last), and can also treat themselves to a fountain drink & Cameo-sized popcorn combo for an additional $5 (plus tax). Movie-goers need to show their ticket and an active Disney+ account at concessions to get the deal.  



Only available for select screenings, at select locations across the United States, the special Disney+ Day showings include Encanto, Thor: Ragnarok, Rogue One, Cars, and Newsies.  This is a great chance to see some of your favorites on the big screen again, or to catch them in their original format if you missed them the first time around.  If you happen to be at Disney World in Florida, the AMC Dine-In at Disney Springs is a participating theatre.  Check the AMC list here for other locations near you.

  

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Beth Keating is a theme parks, restaurant and entertainment reporter for DisneyBizJournal.

 

Please support the efforts of DisneyBizJournal.com to bring news, analysis and commentary on Disney to readers such as yourself. Make a contribution right here via PayPal. Thanks!

Thursday, September 1, 2022

Disney Parks, “Disney Prime,” the Disney Board, and Creating Value

 by Ray Keating

Analysis

DisneyBizJournal.com

September 1, 2022

 

If you failed to notice, The Wall Street Journal has served up a mini-flurry of stories on the Walt Disney Company in recent days, and there’s some reporting worth highlighting and pondering.



Parks Pricing

 

First, a piece titled “Disney’s New Pricing Magic: More Profit From Fewer Park Visitors” was published on August 27. The article focuses on what many regular parks visitors and Disney watchers have seen developing, namely, getting more money out of each guest in Disney World and Disneyland. As put in the Journal story: “The results reflect a major strategic shift on Disney’s part, where the company is focused less on maximizing the quantity of visitors and more on increasing how much money each visitor spends, an approach the company refers to as yield management. Improving the visitor experience, the thinking goes, will prompt guests to spend more hours—and therefore more money—at the parks because they are having such a good time.”

 

Another way to put it is that Disney is raising prices, offering more paid-for services, having people pay for things that used to be free, and eliminating certain services. At one point, it was reported: “Disney’s theme-park pricing is determined by ‘pure supply and demand,’ said a company spokeswoman. ‘No different than airplanes, hotels or cruise ships.’”

 

That’s interesting because, while Disney obviously has hotels and cruise ships, it certainly isn’t in the airline business, and no doubt, it wouldn’t want to be. 

 

The Journal also reported some numbers on price increases, courtesy of an analysis done by Touring Plan. It found that increases in “room prices, including taxes, at three popular Walt Disney World hotels over the past decade … far outpaced inflation,” and “prices for tickets and certain food items have also climbed faster than inflation over the past decade.” At the same time, it was noted that services for hotel guests have been reined in some, such as extra park hours available for hotel guests.

 

The article also hit on a hot topic in Disney circles, and that is, annual passholders at Disney parks. The economics of annual passholders versus families taking vacations at Disney parks actually is summed up nicely in the following from the Journal’s story:

 

“Disney has this love-hate relationship with annual passholders,” said Len Testa, a computer scientist who runs Touring Plans, a travel company that offers apps to help visitors find deals and navigate their trips to Walt Disney World and publishes a popular guide to Disney theme parks. 

 

On one hand, they provide a reliable source of revenue—the investment bank UBS estimated early last year that annual passholders at Disneyland account for about one half of annual visits—but on the other, annual passholders tend to spend less than other visitors per visit, Mr. Testa said. 

 

A typical annual pass holder might ride only one ride during a visit, eat an ice cream cone and walk around for a few hours, taking up capacity that might otherwise be used by out-of-state visitors, Mr. Testa said. 

 

“Those people would have stayed all day,” he said. “They would have eaten multiple times in the restaurants, they may have stayed in the hotel. They would definitely be buying more merchandise.”

 

From the very start when Walt Disney opened Disneyland in July 1955, Disney parks have always been about an experience, that is, taking people away from their day-to-day lives and into a land of wonder and magic. In business terms, the parks always have been about creating tremendous value for consumers. So, Disney has more of a balancing act than many other businesses. Raising prices can work, as long as customers see an increase in value. But eliminating various services and, as has been evidenced during the struggle to recover from the pandemic, not keeping up in certain areas of well-known Disney quality, such as cleanliness and upkeep in the parks, run counter to the value proposition, again, especially when prices are going up. And regarding annual passholders and vacation guests, the key, of course, is to find the profitable balance between passholders, and their steady revenue streams, and the larger-dollar per-visit guests, who, however, can be less reliable. 

 

Disney “Prime”?

 

Second, an August 31 Wall Street Journal article carried the title “Disney Explores Membership Program Like Amazon Prime to Offer Discounts and Perks.” The Journal reported that Disney is exploring a membership program that would offer special perks and deals tied to their parks, resorts, streaming and merchandise. As noted in the article, think Amazon Prime, but for Disney and its offerings.

 

The Journal presented nothing in terms of pricing or timing, only that this avenue for offering value to Disney customers is in early-stage discussions.

 

According to the report, Kristina Schake, senior executive vice president and chief communications officer at Disney, said the following in a statement: “Technology is giving us new ways to customize and personalize the consumer experience so that we are delivering entertainment, experiences and products that are most relevant to each of our guests. A membership program is just one of the exciting ideas that is being explored.”

 

What’s the benefit for Disney? It was explained, “Membership programs … help companies better understand customers’ purchasing habits, while offering discounts or perks that encourage them to remain loyal… A membership program could help Disney learn more about its customers’ behavior by collecting data about which shows they watched, trips they took and merchandise they purchased. Ultimately, Disney’s goal is to harness that data to make recommendations based on customers’ preferences, some of the people said.”

 

Disney Board

 

Finally, on August 29, the Journal ran another Disney story – “What’s the Right Talent Mix for Disney’s Board?” – which dealt with questions about the company’s board as raised recently by activist investor Dan Loeb. The Journal reported that Loeb’s letter, in part, addressed the make-up of the current Disney board, arguing that “Disney directors don’t have enough experience in digital advertising, the monetization of consumer data and other areas that could help Disney boost profits as the company becomes more technology-focused…”

 

Interestingly, the Journal noted, “Disney’s board makeup is now thinner on directors leading consumer-facing brands in tech and media. Instead, the board is stocked with executives with backgrounds at manufacturers such as Procter & Gamble, General Motors Co. and Coca-Cola Co., consumer-apparel brands such as Nike Inc. and Lululemon Athletica Inc. and healthcare and biotech companies.”

 

Given Disney CEO Bob Chapek’s emphasis on technology, talk of a Disney membership vehicle, streaming, and the rising role of tech in the parks, Loeb’s questions might seem to carry weight. Perhaps to a certain degree. But it must be kept in mind that the board hires and fires, and it’s the CEO and his vision that matters.

 

Tech, Pricing and Value

 

A more interesting question regarding nearly all of the issues touched on in these and other recent reports is the following: How does Disney advance in terms of technology, shifting demographics and pricing issues, while at the same time, maintaining its long and well-earned reputation for value and customer service? Of course, this combination is attainable – indeed, it must be. But it requires careful attention by those in charge to all aspects of these changes, from technological advancements to improved pricing to not simply maintaining but improving in the areas of value creation and customer service. So far, during the brief Chapek era, this hits me as the biggest unknown.

 

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Ray Keating is the editor, publisher and economist for DisneyBizJournal.com; and author of the Pastor Stephen Grant thrillers and mysteries, and the Alliance of Saint Michael novels; and assorted nonfiction books. Have Ray Keating speak your group, business, school, church, or organization. Email him at raykeating@keatingreports.com.

 

The views expressed here are his own – after all, no one else should be held responsible for this stuff, right?

 

Two great ways to order Cathedral: An Alliance of Saint Michael Novel, which is Ray’s sixteenth work of fiction, and the first in the Alliance of Saint Michael series. Signed paperbacks here and the Kindle edition here

 

Two great ways to order Ray Keating’s new nonfiction book – The Weekly Economist: 52 Quick Reads to Help You Think Like an Economist. Signed paperbacks here, and paperbacks, hardcovers and Kindle editions here.  

 

Get all of Ray Keating Pastor Stephen Grant thrillers and mysteries in paperback and for the Kindle at Amazon.com and signed books at www.RayKeatingOnline.com

 

Also, check out Ray’s podcasts – the Daily Dose of DisneyFree Enterprise in Three Minutes, and the PRESS CLUB C Podcast.