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Brought to fans, investors, entrepreneurs, executives, teachers, professors, and students by columnist, economist, novelist, reviewer, podcaster, business reporter and speaker Ray Keating

Showing posts with label Marvel Entertainment. Show all posts
Showing posts with label Marvel Entertainment. Show all posts

Monday, November 11, 2019

Disney+ Launch Details

by Ray Keating
News
DisneyBizJournal.com
November 11, 2019

Are you ready for the arrival of the Disney+ streaming service? The Marvel and Star Wars sites have countdown clocks running, with the service scheduled to go live on November 12, Tuesday, at 6:00 AM EST.

And if you haven’t done so yet, you can pre-order at the Disney+ site.

Not sure what’s coming to Disney+? Well, you can always take 3 hours and 18 minutes to check out the Disney YouTube video titled “Basically Everything Coming to Disney+ in the U.S. | Start Streaming November 12.”


Don’t have 3+ hours to review all on Disney+, well, about three minutes will give you a rundown on all things Marvel coming to Disney+.


As for Star Wars, it’s hard to not get excited about “The Mandalorian” series alone.


Unfortunately, for those of us waiting to take advantage of the $12.99 per month package of Hulu, ESPN+ and Disney+, we cannot pre-order. Disney tells us that the package offer will go live with Disney+.

Netflix changed video entertainment in substantial ways, and that process will accelerate with the arrival of Disney+. Where are things headed? Who knows, but it’s darn exciting for the consumer who will decide what works and what doesn’t in the end.

Ray Keating is the editor, publisher and economist for DisneyBizJournal.com, and author of the Pastor Stephen Grant novels. He can be contacted at  raykeating@keatingreports.com.


Wednesday, March 20, 2019

6 Key Takeaways on the Disney-Fox Deal

assembled by Ray Keating
News/Analysis
DisneyBizJournal.com
March 20, 2019

The Wall Street Journal did a nice summary this morning on the now-completed Disney-Fox deal. Here are 6 quick takeaways from the Journal...


1. “Disney will now control Fox’s movie and television production studios, as well as its FX cable network, Fox Searchlight label and National Geographic properties.”

2. “Studios today need a deep stable of characters and franchises to sell streaming subscriptions, movie tickets, toys and theme-park admissions. That trend has led to rapid consolidation. AT&T Inc. acquired Time Warner Inc., a merger the telecom giant is planning to use to pipe entertainment onto its phones and launch its own direct-to-consumer streaming service. Comcast Corp. , to boost its NBCUniversal and Universal Pictures divisions, purchased DreamWorks Animation SKG Inc. in 2016. CBS Corp. and Viacom Inc. are seen as a potential merger this year by industry analysts.”

3. “Disney’s rise has been driven by its acquisitions: For a combined $15.4 billion, the company has purchased Pixar Animation Studios, Marvel Entertainment and Lucasfilm Ltd.”

4. “Disney is positioning its bet on Fox—by far the biggest acquisition in the company’s history—as a central element of its long-term strategy. The rise of Netflix has forced traditional studios to look for ways to create direct business relationships with consumers, skipping the multiplex and going directly into the home.”

5. “In a sign of the awkwardness of the Disney-Fox mashup, edgier Fox fare—such as FX shows like 'American Horror Story' or 'Pose' and movies like 'Deadpool' —will appear on streaming service Hulu, over which Disney will assume majority control now that the deal has closed. However, many FX shows are on Netflix and will remain there for some time.”

6. “Acquiring Fox’s 20th Century Fox Television Studio gives Disney one of the industry’s most prolific producers of content and a large library that includes such hits as ‘The Simpsons,’ ‘The X-Files’ and ‘Modern Family.’ Disney has put Fox’s television team in charge of its TV operations, including the ABC network, its cable networks and ABC Studios.”

Ray Keating is the editor, publisher and economist for DisneyBizJournal.com, and author of the Pastor Stephen Grant novels, with three books - Reagan Country: A Pastor Stephen Grant NovelHeroes and Villains: A Pastor Stephen Grant Short Storyand Shifting Sands: A Pastor Stephen Grant Short Story– published in 2018. In addition, the second edition of Warrior Monk: A Pastor Stephen Grant Novelwas published in January 2019. He can be contacted at raykeating@keatingreports.com.

Tuesday, January 15, 2019

Big Business the Disney Way


Commentary
DisneyBizJournal.com
July 16, 2018

The first time I wrote about the Walt Disney Company’s reputation for customer service was after a visit to Disney World in the summer of 2011. The points in that article (which originally ran in Long Island Business News) hold true to this day. Here’s the bulk of that piece. And by the way, I’m pretty sure that the lone criticism that I brought up in this piece seven years ago has largely been solved. I’ll actually find out firsthand with another visit to Walt Disney World later this summer.



Many Americans distrust so-called “big business” – unless that big business happens to be the Walt Disney Company.

When it comes to Disney, most anti-big-business bets seem to be off. Instead, people think about family entertainment, from television shows to movies to theme parks. That’s a great credit to the way Disney has done business since 1923. In fact, Disney business strategies are taught by the Disney Institute.

My family journeyed to Walt Disney World in Florida for an August vacation. While enjoying the four main theme parks – the Magic Kingdom, Epcot, Hollywood Studios and Animal Kingdom – along with golf on a PGA Tour course, various restaurants, and perks at a Disney resort hotel, it was hard to ignore how Disney excels at providing quality service, achieving synergy and innovating.

Few consumers today are surprised by incompetent or surly service at stores, restaurants or entertainment venues. But after more than a week immersed in Disney World, instances of poor service were rare exceptions.

Smiling, polite, friendly and helpful “cast members” were the rule. Even when I was selected to briefly become part of the Old West Hoop-De-Doo Musical Revue dinner show (as Davy Crockett’s angel – don’t ask), the singers and dancers were supportive and gracious.

The Disney Institute notes that the company emphasizes attention to detail that leads to consistency in service; designs standards and processes that raise customer satisfaction; and creates “metrics to gauge the needs, perceptions and expectations” of customers.

I experienced Disney’s use of metrics when asked to take a brief survey on the cleanliness of Epcot while leaving the park one evening, and taking an online survey upon returning home about golf at Disney World. Many businesses ask for customer feedback. But it’s clear that Disney actually uses this information, while many others do very little with such feedback.

As for synergy, it’s clear that the various arms of the Disney entertainment conglomerate work together so that the result turns out to be far more valuable than what the individual parts might have produced separately. Movies, theme parks, hotels and resorts, stage shows, books, music, television, sports, and other endeavors meld together to create value, whether it be at one location, such as Disney World, or across this global enterprise.

Two of Disney’s biggest moves in recent years offer significant synergies. In 2006, Disney acquired Pixar Animation Studios, which ranks as one of the most successful film studios in Hollywood history. While previously distributing Pixar films, now Pixar tales and characters – from Toy Story’s Buzz and Woody to Monsters Inc.’s Mike and Sully – create added value by being in-house at Disney.

And in 2009, Disney acquired Marvel Entertainment, with its thousands of superheroes and villains. That has been a big plus for Disney’s movie business, and presents additional avenues for increased revenue.

As for innovation, Walt Disney said, “I believe in being an innovator.” Indeed, innovating and creating are central to entrepreneurship and business, and that is perhaps most apparent when it comes to an entertainment business. If the firm does not excel at creating, then it will decline and eventually fail. Disney has not been immune to creative lulls during its corporate history, but it emerged from those troubled times. That’s notable, as it’s often difficult for large firms to establish a culture and incentives that promote risk taking, creativity and change.

Oddly, where the Disney World experience fell short was in merchandising. It struck members of my family how much merchandise was missing regarding some highly successful Disney vehicles. For example, products tied to top Disney Channel shows – such as Wizards of Waverly Place and Good Luck Charlie – were nowhere to be seen. And I found no apparel for my favorite Pixar film – The Incredibles.

But in the end, Disney stands out as a big business being warmly embraced. Of course, the fact that it is in the entertainment business – selling beloved stories and characters – helps tremendously.

But it must be kept in mind that every big business was once a small startup. Walt Disney and his brother Roy kicked things off in 1923, with Mickey Mouse debuting in 1928’s Steamboat Willie, which was Disney’s first animated feature including sound effects and dialogue.

And small firms only become big businesses by serving consumers well. As Walt Disney put it, “Give the public everything you can give them.” He understood that building a small business into a large enterprise was a positive accomplishment.


Ray Keating is the editor, publisher and economist for DisneyBizJournal.com, and author of the Pastor Stephen Grant novels, with the two latest books being Reagan Country: A Pastor Stephen Grant Novel and Heroes and Villains: A Pastor Stephen Grant Short Story. He can be contacted at raykeating@keatingreports.com.