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Showing posts with label Spider-Man: Far From Home. Show all posts
Showing posts with label Spider-Man: Far From Home. Show all posts

Tuesday, January 11, 2022

Marvel Movies Saved the 2021 Box Office

 by Ray Keating

Analysis

DisneyBizJournal.com

January 11, 2022

 

Superheroes saved the 2021 box office – specifically, Marvel heroes did so.

 

The pandemic obviously has devastated the movie theater business, and while the 2021 domestic (U.S. and Canada) box office take was double what was earned in 2020, the numbers remained well off the pre-pandemic 2019 level.



In fact, the $4.58 billion earned in domestic movie ticket sales in 2021 registered the same level as was garnered in 1992, according to the Hollywood Reporter. However, that fails to factor inflation into the equation, meaning that the 2021 earnings were even less than the 1992 take in real terms.

 

Compared to pre-pandemic 2019, the 2021 domestic box office was off by 60 percent.

 

As for a studio breakdown, CNBC noted that Disney led the way with 26 percent of the 2021 box office, followed by Sony’s 23 percent.



But let’s be clear, it was the Marvel Cinematic Universe that truly ruled. Five of the top six movies in terms of domestic gross were MCU movies, with three from Disney and two from Sony.

 

Spider-Man: No Way Home (Sony) topped all domestic earners with $573 million, followed by $225 million for Shang-Chi and the Legend of the Ten Rings (Disney), $213 million for Venom: Let There Be Carnage (Sony), $184 million for Black Widow (Disney), and $165 million for Eternals (Disney). 

 

That tallies up to 30 percent of the 2021 domestic box office for MCU films. 

 

By the way, the Sony MCU movies outgrossed the Disney MCU films - $786 for Sony’s and $574 for Disney’s.

 

As for the other top films, F9: The Fast Saga was number five at the domestic box office (Universal at $173 million) and number seven was the James Bond film No Time to Die (United Artists at $161 million).

 

So, we’ve learned (or relearned) a couple of things about movies during a pandemic. First, big blockbusters (in particular, superhero blockbusters) will draw some audiences into theaters – mainly, younger moviegoers. 

 

Second, non-blockbuster, more adult-oriented movies, if you will, are having a very tough time, including The Last Duel (Disney’s 20th Century Studios) and West Side Story (Disney’s 20th Century Studios), which were both excellent. Part of this, no doubt, is less willingness among older moviegoers to sit in theaters while pandemic issues still rage on. To be less generous, such films also require more of an attention span than what might be needed for at least some superhero movies.

 

What does any of this mean post-pandemic? Speculation can, and has, run in all kinds of directions, but the safest take is that the pandemic has accelerated a shift among consumers to viewing more content at home. However, the degree of this shift and what it will mean for movies being released in theaters remains anyone’s guess at this point in time. The general direction of greater in-home viewing is great for consumers (who are ultimately driving the trend), and for content creators who are seeing and will continue to see increasing opportunities to create via streaming services.

 

But as anyone in the buggy whip industry would have told you with the arrival of the internal combustion engine, when these kinds of upheavals of innovation dramatically alter the economic landscape, matters of survival emerge for businesses who were entrenched in doing things the old ways. This all points to theater owners facing considerable challenges in creating an environment that will get people off their couches and into theaters.

 

__________

 

Ray Keating is the editor, publisher and economist for DisneyBizJournal.com, and author of the Pastor Stephen Grant novels and assorted nonfiction books. Have Ray Keating speak your group, business, school, church, or organization. Email him at raykeating@keatingreports.com.

 

The views expressed here are his own – after all, no one else should be held responsible for this stuff, right?

 

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Keating has three new books out. Vatican Shadows: A Pastor Stephen Grant Novel is the 13th thriller/mystery in the Pastor Stephen Grant series. Get the paperback or Kindle edition at Amazon, or signed books at www.raykeatingonline.comPast Lives: A Pastor Stephen Grant Short Story is the 14th book in the series. Again, get the paperback or Kindle edition at Amazon, or signed book at www.raykeatingonline.com. And order the 15th book in the series What’s Lost? A Pastor Stephen Grant Short Story – grab it at Amazon.com or signed editions at www.raykeatingonline.com

 

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Wednesday, August 21, 2019

Remain Calm: Spidey-Feige-Sony-Disney Drama Not Likely Over

by Ray Keating
News/Analysis
DisneyBizJournal.com
August 21, 2019

Call me a crazy optimist, but I  don’t think Tom Holland’s Spider-Man will be exiting the Marvel Cinematic Universe, despite news that Spidey’s out and the Internet is freakin’ out. 


This entire Sony-Disney battle looks like a tough negotiation that somebody decided to take public to gain an advantage. Considering assorted reports, the story goes something along the following lines. Sony achieved great success with the two Holland movies – Spider-Man: Homecoming and Spider-Man: Far From Home – that came after a deal between the two companies allowed Marvel’s Kevin Feige (the MCU guru) to produce both movies. (That Marvel-Sony deal came after Sony was disappointed with the Andrew Garfield Spider-Man films.) As for Marvel, Spider-Man entered and is slated for an important role in the MCU. Here was a win-win deal in Hollywood.

But with two more Spider-Man movies supposedly on the way via Sony and more MCU films with Spidey coming, a new deal between the companies was sought. Given that the current deal gives Disney a rather modest 5 percent of the first-dollar gross on Spider-Man movies, along with all merchandise sales (certainly not insignificant), it’s pretty clear that Disney/Marvel was pushing for the new deal. And Disney reportedly wanted a 50-50 split on financing, with Feige staying on in his consulting-producer role, according to Variety.

But as negotiations hit the rocks, Disney seems to have played the “Feige” card, with the company seemingly worried that Feige might be getting spread too thin with all of the movie and streaming projects he’s involved with for Disney.

Sony Pictures then went public with a response. Variety reported:

     In a rare public rebuke to Disney, Sony announced Tuesday night that it was “disappointed” over the decision, highlighting Disney’s refusal to allow Marvel President Kevin Feige to continue as a producer on the projects. It also praised Feige, who teamed with Amy Pascal on “Spider-Man: Far From Home,” which became Sony’s most successful release earlier this week in terms of global box office.
     “Much of today’s news about Spider-Man has mischaracterized recent discussions about Kevin Feige’s involvement in the franchise,” Sony said in a statement. “We are disappointed, but respect Disney’s decision not to have him continue as a lead producer of our next live action Spider-Man film.”
     “We hope this might change in the future, but understand that the many new responsibilities that Disney has given him – including all their newly added Marvel properties – do not allow time for him to work on IP they do not own,” the statement continued. “Kevin is terrific and we are grateful for his help and guidance and appreciate the path he has helped put us on, which we will continue.”

I’m sure Disney will have something to say in response.

Looking at a negotiation like this, the typical question is: Who needs whom more? 

Yes, Feige played a key role in getting Sony’s live-action Spider-Man on track (or back on track as I have great appreciation for the Tobey Maguire Spider-Man films). For good measure, Spidey being in the MCU clearly is a big plus for Sony. Of course, there’s no reason why Sony can’t take what Feige has done and run with it, telling some mighty Spidey tales, as basically said in the company’s statement. But that adds risk and uncertainty for a company that has an uneven track record with superhero, including Spider-Man, movies.

Meanwhile, the MCU certainly would survive – and yes, thrive – without Spider-Man. But the loss of that character would still be substantial and disruptive. Spider-Man exiting the MCU adds risk and uncertainty for Disney/Marvel, who already has seen the exit of Tony Stark and Steve Rogers.

Nobody likes added risk and uncertainty in Hollywood, an industry drenching in risk and uncertainty.

And by the way, I seriously doubt that Feige’s work on Spider-Man is somehow going to lead to him feeling overworked and his creative output will suffer as a result.

In the end, it’s unclear who needs whom more. I suppose given the MCU track record of success, a case can be made that Sony needs Marvel/Feige more. But in reality, this, again, is a clear case where each company benefits enormously from a partnership. And for that reason, while it might be a rough road along the way, I expect Sony and Disney to arrive at an agreement that results in Spidey remaining in the MCU. So, try to stay calm while these two entertainment companies fight it out over superheroes.

Ray Keating is the editor, publisher and economist for DisneyBizJournal.com, and author of the Pastor Stephen Grant novels. He can be contacted at  raykeating@keatingreports.com.

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