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Showing posts with label Beauty and the Beast. Show all posts
Showing posts with label Beauty and the Beast. Show all posts

Friday, August 2, 2024

The French Origin of Disney’s Fairy Tale Films

 by Beth Keating

Disney, France & the Olympics

July 31, 2024

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With the Summer Olympics in full swing in Paris, France, we started talking the other evening of the French origin of many of Disney’s films, particularly some of their animated classics. Actually, the conversation began with Disney’s use of IP, rather than original stories for their movies and rides, and the acknowledgement that from the very early days, Disney wasn’t shy about “repurposing” ideas from other places.  But I digress…

Saturday, July 27, 2024

Two Very Different Shows Take Place in EPCOT’s France Pavilion

 by Beth Keating

Disney, France & the Olympics

July 27, 2024

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Athletes from all over the world have touched down in Paris, France, for the 2024 Summer Olympics. Our family has always invested [inordinate] amounts of time watching the Olympics, and while some of us typically prefer the Winter Games to the summer ones, cheering for our favorite athletes is nonetheless a fun time.  We have, in the past, even set up snacks and meals to match the country hosting the challenges, and have a giant Olympic flag (which we actually purchased in Lake Placid, host to the 1980 games) that graced the living room when the kids were younger.


In the warm-up leading to the Olympics, we headed to the France Pavilion in 
EPCOT, since an actual trip to France wasn’t in the cards.  We wanted to see the Impressions de France film that has been at the pavilion forever, giving ourselves a preview of the country hosting the athletes.  We hadn’t seen the short movie in a while, and we were surprised to learn that it is now one of two films showing in the theater...

Sunday, January 28, 2024

Being a Guest at Beast’s Castle Isn’t What It Used To Be…

 by Beth Keating

Review

DisneyBizJournal.com

January 28, 2024

 

In by-gone days, you had to get up before 6 a.m. and hover at your computer, fingers poised to grab the first dining reservation you could as soon as the reservation line opened in order to be able to have dinner with the Beast at his enchanted castle in Magic Kingdom.  “Be Our Guest” was among the most difficult reservations to lock down. Breakfast and lunch were a little easier, because it was quasi-quick serve (and a whole lot more fun!), but breaking your fast in Belle’s ballroom or Beast’s West Wing study in the morning did not return in the post-COVID era. Lunch now is Table Service and fixed price, rather than its earlier quick-serve iteration.



On a recent trip to Magic Kingdom, we found ourselves staying longer than planned, and decided to eat dinner in the park before heading out.  We opened the My Disney Experience app fully intending to grab whatever leftovers were there, a mere four hours before dinner.  We were even resigned to trying walk-ups, but we didn’t need to go that far.  Five sit-down locations still had seating, albeit a few were nearer to park closing time. Just four hours out from dinner, though, there were half a dozen reservations available for “Be Our Guest.”  (The same was true several days later, when we checked the app again, just to make sure it wasn’t a fluke.)


“That’s strange,” we thought. The parks weren’t empty by any means, and even “it’s a small world” had a 30-minute wait time, so it wasn’t a side-effect of lighter crowds.  It turned out that it was, perhaps, a function of declining offerings at the restaurant.



In the before-times, you could actually meet Beast in his library and pose for photos and autographs together.  (It’s true, we have photos in our albums to prove it!). On this recent night, however, we heard the castle staff announce that Beast would walk through and “greet” guests, but wouldn’t stop for individual pictures – more of a walk-by through each room.  Unfortunately, we were still in the room with Beast’s fireplace, awaiting our names to be called for our table, so we didn’t see him, and the visit wasn’t repeated again during our dining stay.  (We were an after-fireworks reservation.) 

The menu at Be Our Guest is a prix-fixe, three-course meal ($70 adults, $41 kids), and you select an appetizer and an entrée from the menu, and also get a pre-arranged tray of desserts chosen by the castle. Soft drinks and coffee are included in the price, but there is also an array of wines and beers available for an additional fee.  In fact, several of the wines are created especially for Be Our Guest, and are the only place they are available.



Be Our Guest is a very different dining experience than most typical theme park eateries.  The menu is more adventurous, leaning toward French cuisine, so make sure your family takes a look at the menu and is willing to broaden their horizons a bit, culinarily speaking, before booking the restaurant.  (The children’s portion of the menu is slightly less adventurous.) Otherwise, it’s a hefty price tag to pay just to see the Beast breeze through the dining room and eat beneath the cherub-painted ceiling of the ballroom.  You’ll actually get a better glimpse of Beast during the afternoon Festival of Fantasy parade, and Belle will be with him, leading the parade.  (Oh, and now that the dining plan is back, this meal is a two-credit meal. Spend wisely.)



Our meal started with a long baguette, sent out to us from Marie, according to our cast member. (“Marie, the baguettes!”  If you know, you know…). It was served warm, and was a delightfully airy French creation, crusty on the outside and fluffy on the inside, brought out in brown paper wrapping as if it had just come from the market.  Alongside was a dish of whipped herb butter. It was more than the two of us could easily share. 

There were several new options on the menu since the last time we’d been to Be Our Guest a few years ago, and we decided to try those offerings.  



For our appetizer, we selected the Duck and Pork Terrine, served with house-made pickles.  The terrine was plated as a nicely sized triangle, topped with radishes and greens, with a dollop of plum jam to accompany the terrine.  A handful of toasted baguette slices were also there to serve up your appetizer.  The terrine itself was firmer than expected, and the duck flavoring came through full-bodied, a definite plus for our duck-loving diners.  The plum jam was tart, with a hint of mustard to the flavor, and a bit of graininess from the mustard, giving some added texture to the jam.  On its own, the jam was a strong flavor, but it really added a level to the duck when you layered each of the components on one of the crispy bread slices.  While we sampled each flavor individually first, creating a little layered concoction was definitely the way to go – it was a whole different flavor profile that way, and the unexpected contrast was quite enjoyable. The pickles were just a touch spicy, and added yet another element to each bite of the terrine, which by itself was on the milder side. The plum jam in particular punched the appetizer up a notch.


Other starter selections included French Onion soup, a mixed greens salad, Escargot de Bourgogne (told you this menu was more adventurous!), and a potato-leek soup.


For our main entrées, we tried the two dishes our cast member recommended – it was one hit, and one miss.  The hit was the Grilled Filet Mignon, one of the best filets we’d had in a while.  The miss was the Wine and Beer-braised Beef Short Rib, which we wouldn’t recommend to anyone. Your other options for the prix fixe menu were Dry-aged Duroc Pork Chops, Trout Amandine, Pan-roasted Squash, or Roasted Poulet Rouge Chicken.



The Filet Mignon was perfectly cooked, tender at its medium rare temperature. The accompanying Sauce au Poivre was delectable, and a perfect accompaniment to the meat.  The green beans were correctly prepared al dente, and the mashed potatoes were a hearty blend that soaked up some of the juice from the filet, imbuing the potatoes with yet more flavor.  We would order this plate again without a second thought.


from Pastoral Palate booth

On the other hand, the short ribs were not only forgettable, but very fatty as well.  We actually had much better red wine-braised short ribs at the Germany pavilion’s “Pastoral Palate” booth at the Festival of the Arts.  The meat at the EPCOT booth was fall-apart tender, infused with a delicious gravy as well.  Not so, at Be Our Guest.  At Pastoral Palate, we paid just $8.75 for their perfectly created short ribs, while Be Our Guest cost $70.  Grab an appetizer at a different EPCOT booth, and a dessert at another, and you’ll cut your costs in half and probably have a better meal.  (Okay, I know, you’re paying for the castle atmosphere.  Just pick a different entrée if you go.) 



As for the short ribs at Be Our Guest, they were served with an “onion jam” and topped with a smattering of onion straws for some crunch. The menu called for smoked bacon as part of the rib’s preparation, but that didn’t really come through in the final plate. The mashed potatoes were the same as the ones served with the filet, and they had a chunky “homemade” feel that was quite good.  The seasoned tomatoes gave a bit of color and pop to the dish. Leave this dish in the kitchen with Mrs. Potts, though, even if your friendly cast member recommends it.


For dessert, each diner gets their own small tray of goodies, a dessert trio including a chocolate tart, a dark chocolate truffle, and a lemon jam macaron.  (For those of you eating plant-based, there is an optional dessert, available on request, a vanilla cake with lemon curd, served with fresh berries and strawberry meringue.)



Don’t let the “chocolate tart” name in the trio fool you. It is the “grey stuff” in disguise, and it really is delicious!  While it is not the dished-up, full bowl of grey stuff that we had back when Be Our Guest first opened, it was still our favorite dessert on the tray.  The “tart” portion was a softer, cookie style shell rather than a more pie crust type confectionary. The “grey stuff” was light and fluffy, a sweet cookies-and-cream flavored panna cotta mousse. It’s a little more on the “frosting” end of the spectrum than previous iterations of this dish, but it’s still scrumptious.

    
The lemon jam macaron was a chewy lemon cookie, filled with a raspberry jam.  The cookie portion wasn’t overwhelmingly lemon flavored, just a slight lemon hint on the follow-through. The raspberry, however, was very much present, a berry-licious filling that provided a nice sweet-and-tart contrast in the same bite.

  
The third selection on the plate was the dark chocolate truffle, which reminded us of the old cherry cordials our grandmas used to get at Christmastime.  It was a dark chocolate shell that melted immediately in your mouth, leaving behind a molten center that had a fruity hint of raspberry.  So yummy, and a nice treat to end the meal. 



Our conclusion that evening was that changes to the menu, and a rather steep price point for dinner, is likely the reason it was so easy to grab a last-minute reservation at what used to be one of the hardest to get reservations in Disney World.  While most of the food was good, and the three uniquely themed dining rooms definitely give you the “I’m in the movie” feel, the restaurant has lost something in the transition from the days when you got an electronic rose to help the rolling carts bring your breakfast or quick-serve lunch to your table.  But, since Be Our Guest has undergone multiple menu and presentation changes over the years, hopefully this is just one more stop on its way back to its former glory.  

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Beth Keating is a theme parks, restaurant and entertainment reporter for DisneyBizJournal.

 

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Monday, July 3, 2023

Disney to Re-Release 8 Disney Favorite Films to the Big Screen

 by Beth Keating

News

DisneyBizJournal.com

July 3, 2023

 

While many of us wouldn’t necessarily label them “classics,” Disney certainly calls them so, and has announced that it will be re-releasing eight “classic” fan-favorite Disney films to theatres this summer.



This is a great selection of Disney movies, but none of the films were around in Walt’s day, nor do they span a great variety of eras in Disney’s “100 years of magic,” so it really depends on how you define “classic.”  But that doesn’t stop me from being excited about seeing some of these top-grossing Disney films in theatres again.


To celebrate the Disney Company’s 100th anniversary, eight films from Walt Disney Studios, Walt Disney Animation and Pixar will be showing in the United States for a limited period of just two weeks each between July and October.  If you’ve only seen your favorites on your home television, now’s your opportunity to see the films as they were meant to be seen.  Tickets are available through Fandango.

 

The titles being re-released for limited engagement runs include:

 

  • Pirates Of The Caribbean: The Curse Of The Black Pearl (July 7 – 20, 2023)
  • Toy Story (July 21– August 3, 2023)
  • Frozen (August 4 – 17, 2023)
  • Beauty And The Beast (August 18 – 31, 2023)
  • The Incredibles (September 1 – 14, 2023)
  • Coco (September 15 – 28, 2023)
  • The Lion King (September 29 – October 12, 2023)
  • Moana (October 13 – 26, 2023)

 

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Beth Keating is a theme parks, restaurant and entertainment reporter for DisneyBizJournal.

Thursday, December 22, 2022

“Disney 100 Years of Wonder” Marathon Comes to AMC for New Year’s Day

 by Beth Keating

News

DisneyBizJournal.com

December 22, 2022

 

If you are exhausted from all the holiday festivities, and need a chance to veg for the day, AMC may have the answer for you. On January 1, 2023, AMC Theatres will host “Disney 100 Years of Wonder,” a four-movie marathon featuring 3 movies of the Disney Renaissance, and one newer, yet insanely popular, animated classic.  For many younger audience members, this is a great opportunity to see some of Disney’s best animated feature films on the big screen.


Courtesy of AMC Theatres


The marathon is a $30, one-price ticket that includes Beauty and the BeastAladdinThe Lion King, and the newbie (sort of) of the group, Frozen.  Guests at this one-day-only presentation also receive a free collectible mini-poster.

 

The event will be available at select theatres, including the AMC Dine-In at Disney Springs, beginning at noon. (Seats are selling quickly). There is a 6 hour and 40 minute total run time, so settle in!  You can check AMC listings for availability in your area.

   

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Beth Keating is a theme parks, restaurant and entertainment reporter for DisneyBizJournal.

 

Sunday, July 26, 2020

“Tangled: The Musical” Offers More Broadway Style Viewing for Fans

by Beth Keating
News/Review
DisneyBizJournal.com
July 26, 2020

Now that you’ve watched Hamilton three or four or seven times on Disney+, you are probably looking for some new Disney productions to fill your pandemic days.  Disney Magic Moments is coming to the rescue.  Offered up this week on the Disney Parks Blog, the previously recorded full-length version of Tangled: The Musical, features the original cast from the show’s opening in the Walt Disney Theatre onboard the Disney Magic.


A musical adaptation of the 2010 Tangled movie, this Broadway-style Disney Cruise Line exclusive opened in 2015, casting Elisha Ainsley as Rapunzel, Nick Pankuch as Flynn Rider, Katie Whetsell as Mother Gothel, and puppeteer/actor David Colston Corris as Maximus the horse. Tangled is based on the Grimm’s fairy tale of the lost princess Rapunzel.

The live stage extravaganza was created by a Grammy, Tony, Emmy and Academy Award winning team. Academy Award-winning composer Alan Menken and Grammy Award-winning lyricist Glenn Slater were the duo who brought you the soundtrack behind the animated film with all the Tangled songs that you know and love, and they added three new original songs to the Cruise Line production, including the opening number, “Flower of Gold.” 

Adding to the collaboration is master puppet designer Michael Curry, who brings you the life-sized, mischievous Maximus the horse. Curry has previously won awards for his work with Olympic ceremonies and on Broadway, and has designed for such diverse entertainers as Cirque du Soleil, The Metropolitan Opera, Michael Jackson, Katy Perry, and Lady Gaga. 

Tony Award winner Paloma Young is the designer responsible for Tangled: The Musical’s vibrant eye-catching costumes. You may know her work from Peter and the Starcatcher

Bradley Kaye, scenic design, has been involved in a number of Disney Cruise Line productions, including Halloween on the High Seas and Aladdin – A Musical Spectacular, as well as in Disney Parks’ shows, parades, and locales, such as Star Wars Launch Bay. He has received a Lifetime Achievement Award from the Los Angeles Drama Critics Circle.

The energetic show takes place on a series of moving sets, an amazing feat when you recall that the show’s home is on a cruise ship with limited space. The opening number, with its appearing and disappearing elevator floor, is an ingenious way of giving all the backstory and exposition needed to jump right into Rapunzel’s tale, in a purely musical way, of course.  The floating lanterns in the night sky later in the production are an especially fun touch that surely was even more enchanting in person in the theater. 

To make your evening of viewing more complete, Disney Parks Blog also offers a recipe for making your very own purple and yellow Tangled popcorn to eat while you are watching the show.  It’s not quite the same as enjoying one of the Tangled “Lost Princess” Dole Whip adjacent cones from Storybook Treats in the Magic Kingdom, or last summer’s limited edition Tangled éclair with its sugared flowers and miniature chocolate frying pan from Pinocchio Village Haus, but you can get the popcorn recipe here.

If you are hooked on Disney Cruise Line’s Broadway-esque productions, you might also like to catch a glimpse of the Beauty and the Beast production from aboard the Disney Dream. Back in April, at the beginning of the pandemic, Disney Magic Moments posted a 20-minute long, narrated and edited video of highlighted scenes from the Disney Cruise Line version of the Beauty and the Beast Musical


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Beth Keating is a regular contributor to DisneyBizJournal.

Sunday, July 5, 2020

Are You Missing Having Fun with Disney Park Characters?

by Beth Keating
Review
DisneyBizJournal.com
July 5, 2020

With the Florida, Paris, Hong Kong and Shanghai Parks reopening with limited character interactions under COVID-19 social distancing guidelines, you might be missing giving Mickey a hug or dancing with Goofy at Chef Mickey’s. (That’s a double whammy….No buffets and no character close-ups right now!) Enchanting interactions with the characters are what make waiting in meet-and-greet lines for an hour worth the wait (or make paying astronomical prices for mediocre buffet food worth the investment of time and money)!


If you need a quick shot of characters doing silly stuff with actual humans, check out this short (six minutes or so) compilation of character exchanges with Gijs Van Winkelhof. We’ve featured Gijs on this site before. He’s the extraordinary, self-taught piano player from the Netherlands who performs at the Disneyland Hotel in Disneyland Paris. (See our DisneyBizJournal review of his performances here.)

Gijs offers us a peek at his shows at Café Fantasia in Paris, with a half dozen Disney characters who randomly pop in to visit. The Fab Five unexpectedly show up at various times to try to steal the show, and a few even attempt to play the piano with Gijs. There’s a fair amount of dancing going on as well, with characters visiting with guests in the lobby of the Disneyland Hotel while Gijs keeps the music going. Among the songs featured are “Beauty and the Beast,” “The Mickey Mouse Club March,” “Part of Your World” (The Little Mermaid), and “A Whole New World” (Aladdin), while Tigger and Goofy, Mickey and Minnie, Donald and Pluto do what they do best. Goofy especially has a good time with “Jingle Bells.” 

Sadly, this is as close as we may get to a character interaction for the time being!  Disney has promised character appearances in the park, but from what we’ve seen in the already-opened parks, these character sightings are being done in creative ways to allow guests to see their favs, while still keeping the “stars” at a protective distance for both families’ and cast members’ safety.

Thanks to Gijs for sharing these guest videos of his piano performances with his Disney buddies. Hopefully, it will tide you over while you wait for your own chance to interact with the Disney crew.

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Beth Keating is a regular contributor to DisneyBizJournal.

Friday, February 7, 2020

Animated Disney at the Oscars: The List of Winners and More

by Ray Keating
Analysis
DisneyBizJournal.com
February 7, 2020

The first animated movie to be nominated for Best Picture at the Academy Awards was Disney’s 1991 Beauty and the Beast.


Disney and then Disney/Pixar led a renaissance in film animation starting with The Little Mermaid in 1989, followed by Beauty and the Beast, and then a string of notable movies, from Aladdin (1992) to Toy Story 2 (1999).

This strong of movies clearly pushed the Academy Awards to introduce the Best Animated Feature in 2002 for the 2001 movie year.

Here are the Disney and Disney/Pixar winners for Best Animated Feature by movie release year:

2003: Finding Nemo
2004: The Incredibles
2007: Ratatouille
2008: WALL-E
2009: Up
2010: Toy Story 3
2012: Brave
2013: Frozen
2014: Big Hero 6
2015: Inside Out
2016: Zootopia
2017: Coco

So, out of the first 18 Best Animated Feature Academy Awards, Disney won 12.

And this year, Toy Story 4 has been nominated. It will square off with How to Train Your Dragon: The Hidden World, I Lost My Body, Klaus, and Missing Link.

That’s all pretty darn impressive. But this shouldn’t surprise anyone. After all, at the Academy Awards on February 23, 1939, Walt Disney was presented an honorary Oscar for Snow White and the Seven Dwarfs, which was the first feature-length animated film in color and with sound. Yeah, Disney has been at this animated things for a long time.

Ray Keating is the editor, publisher and economist for DisneyBizJournal.com, and author of The Disney Planner 2020: The TO DO List Solution and the Pastor Stephen Grant novels. He can be contacted at  raykeating@keatingreports.com.

Saturday, September 28, 2019

7 Reasons Why Hollywood Studios DOES NOT Rank At the Top of the Walt Disney World Parks

by Beth Keating
Review/Commentary
DisneyBizJournal.com
September 28, 2019

Disney’s Hollywood Studios as the best of the four theme parks in Walt Disney World?  Ummm, no. Contrary to what was posted earlier this week by the chief prognosticator of this website (see “7 Reasons Hollywood Studios Ranks Best Among Walt Disney World Parks” by Ray Keating), Disney’s Hollywood Studios doesn’t take the top spot.  Galaxy’s Edge may be the hot new commodity drawing visitors to the park (although most days, a visit to Andy’s backyard in Toy Story Land is still king, with longer wait times for Slinky Dog than a visit to outer space), but there’s more to the Studios than the citizens of Batuu. 


Here are a few reasons that make Hollywood Studios a lower priority in my book.

1) Thrill Ride Heaven. Unless you’re a thrill-ride seeker, Hollywood Studios offers few rides for those not looking to spill their lunch.  As a motion-sickness prone guest, I’m not going anywhere near Tower of Terror or Rock ‘n Roller CoasterMillennium Falcon: Smugglers Run was a one-and-done for me, and I got tricked onto Star Tours twice by a youngling who wouldn’t ride without me.  (I don’t blame him – Rex was a terrible pilot.) My son is an upper-teen now and doesn’t need my chaperone skills. So, Bon Voyage C-3PO - Watch out for the storm troopers, and have a nice flight. Even Slinky Dog makes my stomach bounce, and Alien Swirling Saucers makes my head spin.  That leaves me with Toy Story Midway Mania. Which I adore.  And rode four times last trip.  By myself. While they were riding the big thrillers.

2) Too much sitting. See item #1.  If you aren’t doing the thrill rides, the rest of the park is just too much sitting. Voyage of the Little MermaidBeauty and the Beast - Live on StageIndiana Jones Stunt Spectacular, and Muppet Vision 3-D are all fabulous shows, and I would miss them terribly if they were gone, but it is a lot of time spent sitting in a theater in one day. On the last trip, I saw For the First Time in Forever: A Frozen Sing-Along three times in one day because it was inside and air-conditioned while I was waiting for the rest of the thrill-ride seekers to use their FastPasses. (I also thought it was a funny show, and slightly different each time, so I didn’t mind too much.) Plus, it fit the schedule.


3) Timing. See item #2. If I am relegated primarily to stage shows, it makes my day a lot tougher to schedule, since I am now on Disney’s clock, rather than mine. Many of the shows operate according to precise schedules, and you can’t just wander up to a turnstile when you darn well please.  I actually left the park at one point on a particularly hot day to go throw in a load of laundry back at the resort, and met up with the family later.  How weird was that?

4) Stupid Tier System.  Hollywood Studios’ new Tier System, which took effect the same day Galaxy’s Edge opened on August 29th, makes it hard to get FastPasses for the big attractions.  All of the rides except Star Tours are now Tier 1 (meaning that you effectively only get one Tier 1 per day, since you can only choose one of the rides from Tier 1 as one of your day’s three FastPass selections).  Sure, you can squander FastPasses on shows that you don’t really need FastPasses for anyway because they hold large capacity crowds, just so you can get to that sweet spot where you can get a fourth FastPass after you’ve used the first three, but by then there are no FastPass slots open for the big attractions. Maybe by some stroke of luck someone gave up their FastPass, and you refreshed your My Disney Experience App several dozen times, did the hokey pokey and turned yourself around while facing southeast on the third Tuesday of the month, and were granted an extra FastPass by the FastPass gods, who just happened to be in a giving mood.  Maybe then you had FastPasses for Tower of Terror and Slinky Dog on the same day.  Consider yourself fortunate. If not, well, at least the queue lines are well-themed and interesting. We had to spread it out over several days.  Hurray for Park Hopper!

5) Closed Attractions.  While Star Wars: Galaxy’s Edge is an exciting new venue (it should really have been made into a fifth gate!) and totally immersive and stunningly designed, I still miss the attractions that have left our planet. Catastrophe Canyon was so much fun, and I inexplicably miss both the Hunchback of Notre Dame stage show and Bear in the Big Blue House (those were the days with my sweet little toddlers!)  The falling confetti and streamers from Hunchback’s Feast of Fools scene was a thrill, and I even have a few pieces of the streamers in my scrapbook. And while the Lights! Motors! Action! Extreme Stunt show was ungodly hot all the time, it really fit with the theme of seeing inside the movie-making magic. Right now, the Chinese Theater also stands silent.  I miss The Great Movie Ride immensely.  It was one of my favorite attractions of all time. No doubt I will love Mickey and Minnie’s Runaway Railway when it eventually opens, but right now, there’s a big ole hole in the center of the park. They tried to hide it behind a Star Wars stage, but it didn’t work.  Oh, I did try to watch the Star Wars: A Galaxy Far, Far Away live action stage show several times, but never made it all the way through. Standing directly in the mid-day sun while the Star Wars characters paraded out on stage with some movie clips and a few fireworks effects behind them didn’t make up for the loss of John Wayne and the Yellow Brick Road.


6) Magic of the Movies Process.  Don’t get me wrong.  I love the immersive quality of Batuu (especially at night, when it becomes particularly captivating), and was even willing to rope drop at 5:45 in the morning to be there before the larger crowds. But I miss the days of Disney-MGM Studios, when we got to see the water effects tank, the costume departments, and the movie props on the Backlot Tour. I even miss walking past the working artists on the tours, seeing them sketching upcoming movie scenes. Visiting Batuu may make you feel like you are a character in the movie, but the old backstage tours were an interesting look at how the movies were actually made.

7) Osborn Family Spectacle of Dancing Lights.  Don’t. Get. Me. Started.  This is one of the things that I truly miss about this park. It is one of the most magical memories I have of the holidays at Disney. Oh, the amazing feeling of watching my then-four-year-old absolutely dazzled by the lights, his eyes nearly popping out of his head.  I have the 3-D glasses tucked away that turned the streetlights into Christmas angels. As much as I liked CarsLightning McQueen’s Racing Academy just doesn’t have the same pizzazz as the millions of dancing lights and all the hot chocolate you could drink. 

So, what would I rank as #1? Interesting question.  Let me think about that for a while.  I’ll get back to you tomorrow. Right now, I’ve got a debate to finish.

Beth Keating is a regular contributor to DisneyBizJournal.


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Sunday, May 26, 2019

Aladdin Review and Disney’s Risky(?) Live-Action Remakes

by Ray Keating
Review
DisneyBizJournal.com
May 26, 2019

DisneyBizJournal.com Movie Rating: 3.5 stars out of 5
DisneyBizJournal.com Box Office Rating:  $$$$ out of $$$$

Remakes have a long history in Hollywood. But there are risks.


The advantage of the remake is that successful films usually are the ones that get remade (that might seem like a “duh” comment, but there have been dubious movies that got remade, like Ocean’s 11), so there’s proof that audiences, at least at some point in the past, were on board. However, if a remake does a real disservice to a beloved movie, filmgoers, not to mention critics, will be ruthless in their punishment.

The Movie

The new live-action Aladdin is a solid effort. It’s a largely enjoyable movie that, while not as good as the 1992 animated movie, still honors that film.

Disney is in the midst of live-action (or live-action and CGI) remakes of the movies that re-energized Disney animation in the late 1980s and early 1990s. Those films were The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and The Lion King (1994). Those four films earned love from the critics and at the box office. Indeed, each now falls into the category of a classic. Choosing to remake such films can be seen as an opportunity or an unwarranted risk. 

Disney chose to see opportunity. So, the remade Beauty and the Beast was released in 2017, followed by AladdinThe Lion King coming this July, and The Little Mermaid is in the works.

The new Aladdin benefits first and foremost from wise casting choices. While no one can be Robin Williams as the Genie, Will Smith offers a fun ... well ... very Will Smith performance. It’s hard to think of someone else who could have pulled this off given the shadow of Williams.

The biggest plusses for the movie were Mena Massoud as Aladdin and Naomi Scott as Jasmine. They shine in their respective roles. Also, Nasim Pedrad is delightful as Dalia.

The singing and dancing work well, including the songs we love from the original, such as “A Whole New World” and “Friend Like Me.” The only song that’s a bit too “on the nose” was the new “Speechless.”

Also, I had serious doubts that Guy Ritchie being the right choice to direct an Aladdin remake, but he pulled it off. The only clear weakness in the film is uneven CGI effects.

In the end, this new Aladdin makes for an enjoyable trip to the theater that clearly benefits from tapping into some Disney nostalgia.

The Box Office

As for the box office, the performance of the 1992 Aladdin was stupendous, with a production budget of $28 million, according to BoxOfficeMojo.com, and a global box office take of $504 million. Wow, now that’s a rate of return!

The new Aladdin’s production budget has been reported at $183 million. As of today (May 26), BoxOfficeMojo.com is reporting that the global box office take – for a film that just opened on May 24 – at $207 million. Even with adding half or more of the production budget for marketing, this 2019 version of Aladdin is on its way to big profits.

By the way, such a success would make Disney two-for-two at the box office on its remakes of those late-80s, early-90s classics since Beauty and the Beast (2017) pulled in $1.26 billion on a production budget of $160 million. On these recent remakes, Disney’s bet on opportunity has paid off, so far.

Ray Keating is the editor, publisher and economist for DisneyBizJournal.com, and author of the Pastor Stephen Grant novels. He can be contacted at  raykeating@keatingreports.com.

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