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Showing posts sorted by relevance for query Lord of the Rings. Sort by date Show all posts
Showing posts sorted by relevance for query Lord of the Rings. Sort by date Show all posts

Friday, June 14, 2019

Will the Oscars Finally Recognize Superhero Films? The Lord of the Rings Example

by Ray Keating
Commentary
DisneyBizJournal.com
June 14, 2019

Can Avengers: Endgame lay waste to Hollywood’s Oscar bias against superheroes?



The Academy Awards just announced the date for its 2022 Oscars show, and confirmed the dates for the 2020 and 2021 shows. I understand that February 9, 2020, for the upcoming Oscars seems pretty far off, and we still have plenty of movies to watch in 2019, but this announcement got me thinking about whether or not Avengers: Endgame might finally have the power to break through the Academy’s opposition to superheroes.

If there’s hope on this front, it can be found in The Lord of the Rings movies. The first in that film trilogy – The Fellowship of the Ring – hit theaters in December 2001, followed by The Two Towers in December 2002. Both films were nominated for Best Picture, but failed to win, only taking home technical and music Oscars. And then came The Return of the King in December 2003. All three movies, by the way, were filmed together, and then released over those three Decembers.

It was noted at the time that Academy voters were holding off on awarding the big Oscars until the last movie in the trilogy. However, that was no slam dunk. It needs to be pointed out that no true fantasy movie had ever won Best Picture. In fact, Fellowship and Two Towers were, it can be argued, the only other true fantasy films ever nominated for Best Picture to that point.

So, at the 2004 Oscars, The Return of the King broke through, winning Best Picture, Best Director (Peter Jackson), and a total of 11 Academy Awards.

There are parallels when it comes to Avengers: Endgame, and the Marvel Cinematic Universe. Released in April 2019, Endgame not only was the second part of an epic story that began in Avengers: Infinity War (April 2018), but it brought to a close this part of the MCU that covered a breathtaking 22 films, starting with Iron Man in May 2008.

Also, no superhero movie has ever won a Best Picture Academy Award, with Black Panther (February 2018) becoming the first movie in the genre to be nominated for Best Picture. And there have been assorted snubs in terms of nominations over the years, in particular with Christopher Nolan’s The Dark Knight (2008).

And of course, there is the critical and box office success of Endgame itself (see the DisneyBizJournal review) as the crescendo of these 22 interlocking movies that included very few misses. 

Also, if the Academy sees wisdom in nominating Endgame, and it is considered a serious contender, people might actually watch the February 2020 Oscars show, as opposed to the show’s long decline due to, in large part, a lack of interest among most of the movie-going public for the films nominated.

Endgame and the entire MCU truly rank as a monumental achievement in cinematic history – one that deserves recognition by the Academy. And that recognition should come not just in the form of a Best Picture nomination for Avengers: Endgame, but in the actual awarding of the Best Picture Oscar. It made sense for The Return of the King and it does for Avengers: Endgame.

Ray Keating is the editor, publisher and economist for DisneyBizJournal.com, and author of the Pastor Stephen Grant novels. He can be contacted at  raykeating@keatingreports.com.

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Sunday, October 29, 2023

Some Haunted Mansion Fun For Your Halloween Week

 by Beth Keating

Lifestyle

DisneyBizJournal.com

October 29, 2023

 

There are those little touches around the Disney Parks that make the place special, a tad different from other “amusement parks” around the country. They are the little details which keep guests coming back for the magic year after year.  One of those touches that our family has always enjoyed is the live entertainment – what some would call “streetmosphere” – and which has been somewhat slow to return to the parks.  

 

For us, we’ve been overjoyed (and enormously entertained) by the live (or perhaps undead?) entertainment outside the Haunted Mansion at Mickey’s Not-So-Scary Halloween parties.  Madame Carlotta and her twin sister Madame Renatta really bring the “life” to the party, spooky fog and eerie lighting not withstanding. (Butler Broome is sometimes there too, but he doesn’t have the same joie de vivre that the girls do.)



This is a big week for the Haunted Mansion, what with the new movie coming out this year, the announcement of a Haunted Mansion-themed lounge materializing on the Disney Treasure, and all the hot and cold running chills of Halloween coming up.  We thought you foolish mortals out there would enjoy some trivia tidbits about the Mansion(s) for the night.  

 

There are actually 5 different Haunted Mansions in the Disney Parks, with a few divergent themes. No two are identical, and many people don’t count Mystic Manor as a “Haunted Mansion” at all because the “spirits” aspect doesn’t have the same impact in Hong Kong.

 

• The original version was the Haunted Mansion at Disneyland California (1969). It was NOT an opening day attraction, and actually stood vacant for a while after construction on the façade of the house, interrupted by Disney’s involvement in creating attractions for the 1964 World’s Fair, and then changes to the attraction after Walt’s death. (They dropped the Museum of the Weird section, and a potential restaurant, amongst other things.)

 

• Disney World and Tokyo Disney’s versions were an opening day attraction. Disneyland Paris (previously called Euro Disney), also had its Phantom Manor as an opening day attraction.

 

• During the production and assembly of the props and audio-animatronics for Disneyland California's Haunted Mansion, duplicates of everything were being made for Florida’s Haunted Mansion.

 

• The ride was originally supposed to be a walk-through, but Imagineers thought that the low-capacity of a walk-through attraction could be a problem, so they went with the new Omni-mover system, and created “Doom Buggies” for riders. (Imagineer and Disney Legend Claude Coats briefly had the ride located in a Louisiana Bayou setting, with the guests transported by boats.  Didn’t last.)

 

Park Locations

 

The Haunted Mansion attractions are located in different parts of each park: 

• In the California version, it’s located in New Orleans Square, with a New Orleans style façade. It opened in 1969.

 

• The Florida version is located in Magic Kingdom’s Liberty Square. It’s a Gothic Revival style, reminiscent of upstate New York and New England. It opened in 1971.

 

• At Tokyo Disneyland, it is in Fantasyland, and opened in 1983.

 
• The Paris version, Phantom Manor, is in Frontierland with an Old West theme. It opened in 1992.  (It’s the only abandoned looking building! Walt Disney wanted his Haunted Mansion looking pristine on the outside, to maintain the “clean and new” looking aspect of the rest of his park.  He promised, “We’ll take care of the outside, and let the ghosts take care of the inside,” so Phantom manor is a departure from the plan.)

 

• The Hong Kong version, which some argue isn’t really a “Haunted Mansion” at all, is Mystic Manor in Mystic Point. This trackless ride opened in 2013. (The musical score here was created by Danny Elfman, who also wrote the score for “The Nightmare Before Christmas and provides Jack’s singing voice.)  Rather than 999 Happy Haunts, the Hong Kong attraction is the home of Lord Henry Mystic and his monkey, Albert. Lord Henry came into possession of an enchanted music box, but unfortunately, Albert opens the box and brings everything inside the house to life.  The pre-show here is narrated by Lord Henry himself.

 

The Stretching Room


• The Florida and Tokyo versions do have a stretching room to greet their guests, but in those locations, the ceiling raises instead of the floor moving downward (elevator style); but in California, it actually is an elevator, due to the need to get guests under the railroad to the story building.  

 

Tim Burton’s “Nightmare Before Christmas” Overlay at California’s Haunted Mansion

 

• Every year since 2001, Disneyland California closes the Haunted Mansion for a few weeks in order to put a special Halloween/Christmas overlay onto the Haunted Mansion ride.  Since California is much more of what they consider a “local’s park,” this is a big deal for locals to get excited about as Jack Skellington and Sally take over the mansion for a few months. The Nightmare Before Christmas music is also added to the ride for the season. It’s called “Haunted Mansion Holiday,” and combines the traditional Haunted Mansion ride with the characters from Tim Burton’s “Nightmare Before Christmas” film. There’s also the smell of gingerbread in the air, as a giant ten foot tall handmade Gingerbread House takes the table in the ballroom.


Courtesy of Disney Parks Blog


• The overlay was also added to Tokyo Disneyland in 2004 as “Haunted Mansion Holiday Nightmare.”

 

Movies

 

There have been three movies based on the Haunted Mansion:

 

• Eddie Murphy version (2003, a theatre release)

• Muppet’s Haunted Mansion (October 2021, released on Disney+)

• Haunted Mansion (2023, a theatre release now available on Disney+)

 

Interesting fact for 2023

 

• Disney Legend Rolly Crump was one of the original designers of the Haunted Mansion.  He was mainly responsible for the “Museum of the Weird” concept that was part of the original discussions, and did some of the outlandish and creepy sketches for proposed characters and “artifacts” in this museum, which was to be the third section of the Haunted Mansion, after you went through the main house.   Rolly sadly passed away earlier this year, and to honor him, the Disneyland California Imagineers placed a small replica of his “candle man” hidden in the Mansion’s “Nightmare Before Christmas” overlay for this year.  Despite the fact that the Museum of the Weird didn’t happen, many of Rolly’s designs ended up adapted in various spots in the mansion anyway.

 

Who created the ride?

 

• It’s a long road, because there were so many concepts to the ride along the way…..

But the primary Imagineers involved were: 

 

- Disney Legend Harper Goff (created early sketches)

- Disney Legend Ken Anderson (first – but not final! – storyline, and later left the project)

- Disney Legend Marc Davis (Davis was a Disney animator right from the beginning, with Snow White; responsible for the “funny” elements; also designed lots of Disney’s animatronics over the years; he was one of Walt’s “Nine Old Men”; Walt called him his “Renaissance Man” because he could do anything Walt needed him to do.)

- Disney Legend X Atencio (who wrote the lyrics)

- Disney Legend Claude Coats (originally a background artist; wanted it to be scary)

- Disney Legend Rolly Crump (the weird and bizarre elements)

- Disney Legend Yale Gracey (the man the Mansion is named after – Gracey Manor – and who created many of the illusions.  The sadness of the maids and butlers in the mansion is attributed to the fact that “Master Gracey” has died.)

 

Famous Voices in the Mansion

 

• Disney Legend Paul Frees is the original voice of the Ghost Host in California and Florida. He was also Boris Badenov in the Rocky and Bullwinkle Show; occasionally Ludwig Von Drake; George Washington in the “Hall of Presidents”; and tons of characters in the Rankin/Bass movies, including the Burgermeister Meisterburger and a few of the Kringles in Santa Claus is Coming to Town, and Santa Claus in Frosty the Snowman.  He was nicknamed “The Man of a Thousand Voices.” He was also named a Disney Legend in 2006.

   

• Disney Legend Thurl Ravenscroft, voice of Tony the Tiger, is one of the singing busts in the graveyard (Bust #2, sometimes also known as Uncle Theodore, known as the broken bust). He was also the voice of Fritz in the “Enchanted Tiki Room,” and Shere Khan in The Jungle Book (1967). He’s also the vocalist in the 1966 Dr. Seuss' How the Grinch Stole Christmas!

 

• Madame Leota has two different actresses as her creator - Eleanor Audley as her voice, and Disney Legend Leota Toombs as her face.  (In the 2003 movie, she’s played by Jennifer Tilly; in the 2023 movie, she’s played by Jamie Lee Curtis, and she’s Madame Pigota, played by Miss Piggy in the Muppet version.). It’s assumed she’s somehow connected to the Gracey family, since her tombstone appears in the family’s graveyard in the Magic Kingdom. It’s the one that if you stare at it long enough, you’ll see her eyes blink – just before the doors to the mansion open and you’re invited into the Magic Kingdom version. Eleanor Audley (Leota’s voice) was also the woman who voiced Maleficent in Sleeping Beauty and Lady Tremaine in Cinderella in the original animated films.

 

• In Haunted Mansion’s Nightmare Before Christmas version in California, Leota’s face is modeled on Leota Toombs’ daughter, Imagineer Kim Irvine, and voiced by Susan Blakeslee, who coincidentally voices Maleficent and Lady Tremaine in the more modern film versions. Keeping those connections alive! 

  

• Phantom Manor in Paris is the only Haunted Mansion where Madame Leota is voiced and “faced” by the same actress…. Oona Lind.

 

Music

 

• The music for the ride is "Grim Grinning Ghosts" composed by Disney Legend Buddy Baker with lyrics by (also a Disney Legend) X Atencio (who also wrote the Pirates of the Caribbean “Yo Ho” theme). “Grim Grinning Ghosts” is the same song throughout the ride, just slowed waaay down at the beginning of the ride to give it the eerie quality.  The music speeds up as the ride progresses, and is played by different instruments throughout the ride to give it different feels in different rooms. (It’s played in the California, Florida and Tokyo rides).

 

• The song title comes from William Shakespeare's 1593 poem Venus and Adonis:  

'Grim-grinning ghost, earth's worm, what dost thou mean

To stifle beauty and to steal his breath.

 

Pepper’s Ghost Trick

 

• Disney uses this effect throughout the parks, including at Tower of Terror and the Haunted Mansion ballroom scene, but they didn’t invent it.  Originally created by the English scientist John Henry Pepper in 1862, this illusion basically uses angled glass and black backgrounds to reflect the images off stage in a hidden room so that the ghostly montage appears in front of the audience.     

 

Magic Kingdom Riddle

 

• In the stand-by queue line, there are six busts of family members of the “Dread” family.  It’s a murder mystery riddle, and if you find yourself waiting too long in the standby queue, you can try to solve the riddle. If you follow the poem written on the bottom of each pedestal, it’ll lead you to each murder, in the correct order, to find out who the final murderer is. (The family includes Uncle Jacob, Bertie, Aunt Florence Dread, twins Wellington and Forsythia, and Cousin Maude. Here’s a hint: Bertie starts the progression, until they all wind up killing each other over money).

 

Pet Cemetery

 

• The pet cemetery at Magic Kingdom is located as you exit the building.  If you look to your left, in the upper section of the cemetery, you’ll find Mr. Toad, who was evicted from his Wild Ride at the Magic Kingdom in 1998.

 

Hatbox Ghost

 

• He returned to Disneyland in 2015, and is soon to return to Disney World.  (Sometime in November 2023… we’ll be waiting!) He’s been given the name Alistair Crump, a tip of the hat to Haunted Mansion Imagineer Rolly Crump.

  

PhotoPass Hitch Hiking Ghosts

 

• The on-ride photos were added to the attraction in April 2019 in Disney World, so that ghosts are added to guests’ pictures during the ride, using their RFID tech in their Magic Bands.

 

Disney “Origin” Tale

 

• When the outdoor queue was built at Disney World, a piece of a stanchion was stuck in the cement.  Disney cast members began telling people the ring-shaped piece was the attic bride’s wedding ring, thrown from the window of the Mansion in a fit of anger.  People now look for that ring in the cement of the queue.  You can find it just before the spot where the standby and lightening lanes meet.  (The mythology took on a life of its own after cast members originated the tale, and Disney has since placed a more real looking ring in the walkway.)

 

Extra Tidbits

 

• If you stand too close to the walls of the room when your accompanying servant asks you to move your tired bodies to the “dead center of the room,” they really mean it.  If guests stand too close to the real walls, the door to the Doom Buggies won’t open. You really won’t be able to “find a way out.”

 

• “Alfred,” “Edgar,” or “Lucifer”: Take your pick, they’ve all been cited as names for the red-eyed raven that follows guests through the various rooms of the mansions. Edgar is likely a reference to the Edgar Allan Poe poem of “The Raven.”  The raven was supposed to be the attraction’s original guide, but depending on which explanation you believe, either it was too hard to spot him in the scenes, or the bird’s voice was too human sounding, and never really worked the way Imagineers wanted.  (Or, if you believe other tales, it was a ride timing problem.) You can still find the raven hidden in rooms throughout the attraction, though. Ken Anderson initially put the raven in his concept art, but Marc Davis liked it and kept it in future revisions of the script.

 

• As you pass by each wedding portrait of Constance Hatchaway (as more recent renditions of the attic bride have been named), she adds another string of pearls after the death of each groom.  (If you listen carefully, you’ll hear the whoosh of a “hatchet” before each groom’s head disappears from his portrait. (Hatchet = Hatchaway?)

 

• Constance Hatchaway was also known as “the Attic Bride,” the “beating heart bride,” and the “Black Widow Bride,” for previous incarnations of her character, before she was given her current backstory.

 

• Constance Hatchaway’s fifth husband, whom she married in 1877, was George Hightower, who may be a reference to the explorer Harrison Hightower III. Is George his relative?  Cue the connection to S.E.A. and the Adventurer’s Club; Hong Kong’s Mystic Manor; Hotel Hightower and Tower of Terror at Tokyo DisneySea!  (You can find some of his artifacts and books at Skipper Canteen at Disney World, too!). Oh, one more tidbit…. Harrison Hightower’s visage is based on Imagineer Joe Rohde!)

 

• The older woman sitting on “George’s” tombstone in the stretching room is believed to be the now senior Constance Hatchaway.  The husband’s name is the same, and she is holding the red rose, as she did in their wedding portrait.  Plus, you know, there’s a hatchet in his head…

 

• Allegedly, Madame Leota was the original proprietor of the Memento Mori shop, just outside of the Magic Kingdom’s mansion, where you can pick up assorted souvenirs.  If you look carefully, you’ll sometimes see her peeking through the mirror on the wall there.

 

• The Francis Xavier tombstone in the Magic Kingdom’s standby queue is no doubt a reference to Imagineer and Mansion builder X Atencio, whose real name was Francis Xavier Atencio.

 

• Did you know that each of the singing busts in the graveyard has a name? They are: Rollo Rumkin, Uncle Theodore, Cousin Algernon, Ned Nub and Phineas P. Pock.   And if the name “Pock” rings a bell, you might remember Prudence Pock in the family graveyard.  She’s the poetess that you can interactively help complete poems while you wait in the Magic Kingdom’s queue. She reads the first part of the poem, and you get to supply the final rhyming word. It’s said that Prudence Pock “died of writer’s block.”

 

• The Hitchhiking Ghosts are Ezra, Phineas and Gus.

 

• Magic Kingdom’s Haunted Mansion is also called Gracey Manor, but in early days of the park, there was also a sign pointing you to “Ghastly Manor.”  That sign has since disappeared.  It should be noted though, that the Ghost Host never refers to it either way.  He always says, “Welcome to the Haunted Mansion.”

 

• The address of the Haunted Mansion in Muppets Haunted Mansion is “924.”  Disney never gives a random number to things…. this is the birthday of Muppets creator Jim Henson, who was born September 24, 1936.

 

• Another Muppets Haunted Mansion tidbit…. Imagineer Kim Irvine is the daughter of the original face of Madame Leota (Leota Toombs Thomas), and Kim herself plays the part during the Haunted Mansion Nightmare Before Christmas Holiday overlays in Disneyland. In the Muppets Haunted Mansion version, she plays the role of “Kim the Haunted Mansion Maid” who talks to Miss Piggy, who is playing Madame Pigota in the film.  

 

Home to 999 Ghosts

 

• And let us leave you with this chilling dilemma: If the mansion is home to 999 ghosts with “always room for one more,” and a “ghost will follow you home” at the end of the ride, how does that number always stay the same?  Plus, if there are 999, how does that account for the arrival of the Hatbox Ghost at Disney World in November? And why does he get to materialize in a spot before Madame Leota calls the spirits to appear?  (Yes, yes, we know that Imagineers tried to explain that one away at D23 by saying he could come and go whenever he wanted because he was a malevolent spirit…but we’re not really buying that one.) 

 

Maybe you can debate these conundrums with your family while you are waiting for the trick-or-treaters this year.  (If that doesn’t take your conversation far enough, maybe you can continue deciding whether The Nightmare Before Christmas is a Halloween or a Christmas movie.  Just giving you some food for thought!) 

 

Happy Halloween, Everyone!

 

__________

 

Beth Keating is a theme parks, restaurant and entertainment reporter for DisneyBizJournal.

 

Tune in to More Halloween Fun in the PRESS CLUB C Podcast with Ray Keating – Episode #125: Haunted Mansion and Halloween Movies with Chris Lucas. Ray has a wide-ranging talk with Chris Lucas, covering Disney’s Haunted Mansion, Universal Monster movies, The Addams Family vs. The Munsters, stand-up comedy, and more. And what does The Odd Couple’s Oscar Madison have to do with Halloween?

 

Support the Daily Dose of Disney with Ray Keating podcast at https://www.buzzsprout.com/1724143. Subscribe at the $8 or $10 levels, and get The Disney Planner: The TO DO List Solution by Ray Keating. Remain a supporter and you'll get a FREE BOOK by Ray Keating every six months going forward. Thanks!

Saturday, November 13, 2021

“Dune” Lightyears Better than “Eternals”

 by Ray Keating

Review and Commentary

DisneyBizJournal.com

November 13, 2021

 

My expectations ran high for both Eternals and Dune when heading into the movie theater. Those expectations actually were exceeded with Dune. Unfortunately, Eternals turned out to be a gross disappointment, and as a result, the movie added fuel to a troubling trend emerging with recent Marvel projects.



Of course, both films have faced box office challenges with the ongoing struggle to emerge from the pandemic, as well as Dune being offered immediately via online streaming on HBO Max and Eternals expected to move rather quickly to Disney+ (perhaps just before Christmas). Dune opened domestically on October 22, and as of November 11 on BoxOfficeMojo.com, it had still taken in $332.6 million globally. After opening on November 5, Eternals registered $170.9 million worldwide. It is worth noting that the Eternals’ opening weekend domestic take came in behind the other pandemic-era MCU releases, that is, Black Widow at $80 million (along with an announced $60 million on Disney+), Shang-Chi and the Legend of the Ten Rings at $75 million, and Venom: Let There Be Carnage at an inexplicable $90 million.

 

As for critics and audiences, on RottenTomatoes.com, Eternals has earned a woeful 47 percent critics score, with audiences coming in at 80 percent. Meanwhile, Dune has scored well with both critics (83 percent) and audiences (90 percent).

 

In general, I think that the critics got both right.

 

Dune ranks as sci-fi/fantasy done right. It’s a visually rich, immersive story, with interesting characters. The film offers hints of Lord of the RingsStar WarsGame of Thrones and Lawrence of Arabia. The cast is spot on, and the director, Denis Villeneuve, gets fine performances out of each actor, including some who have not showed such abilities before, like Jason Momoa and Dave Bautista.

 

Throughout the film, my mind never wandered to thinking about when this would be over, but rather wanting the movie to go on, and pondering where the characters were headed and the implications of their actions. And given the ending, I found myself thinking that Legendary and Warner Brothers better greenlight a sequel with Villeneuve at the helm, and thankfully, they have. 

 

In contrast, Eternals was a bloated, uninteresting story, with characters that largely were flat, along with most of the performances.

 

And unlike DuneEternals was plagued by story points that made little sense, including glaringly contradictory moments for assorted characters (such as Richard Madden’s Ikaris, not to mention that his ending was way too on the nose).

 

Amazingly, there are some out there arguing that Eternals isn’t getting the love it deserves because fans are unwilling to deal with big issues being brought up in a superhero movie. My immediate reaction to such assertions is to laugh – and to be perfectly clear, to laugh mockingly. Big issues? The writers and director, Chloe Zhao, seemed to be striving to present some deep moral quandaries over which the characters and audience were meant to wrestle. Alas, though, these so-called big issues amounted to shallow or meaningless situations seemingly dreamed up by a group of college students believing that they had great insights on matters that in reality they possessed little or no knowledge of in the end. The so-called moral quandaries served up in the Eternals spoke more to the obtuseness of the filmmakers, at best, or to their amorality.

 

It also needs to be pointed out that the more the MCU goes in on CGI effects, the worse the results seem to get. Though not as bad as the end scenes in Shang-Chi and the Legend of the Ten Rings or what was offered in Captain Marvel, several of the scenes in Eternals came across more like crude animation, as opposed to interesting and/or immersive CGI.

 

Interestingly, the character and performance that turned out to be the most interesting in Eternalswas Angelina Jolie as Thena. Here was a troubled character whose challenges and reactions made sense, and there was some life to Jolie’s performance. Don Lee also was pretty good as Gilgamesh, and Kumail Nanjiani had amusing moments as Kingo, though most didn’t fit with where the story was at the time.

 

Regarding how the Eternals fits into the MCU, part of my high expectations going in could be attributed to an assumption or hope that this film would break the recent trend in MCU entries being poor-to-middling. WandaVision and The Falcon and the Winter Soldier had moments on Disney+, but came up miserably short in the end, while Black Widow and Shang-Chi and the Legend of the Ten Rings were middling MCU movies (with Black Widow coming in ahead of Shang-Chi). The LokiDisney+ series has been the lone major MCU standout really since Avengers: Endgame

 

Eternals was supposed to get the MCU back to interesting, exciting and compelling storytelling and characters, devoid of plot holes and character inconsistencies. But that disappointingly was not the case.

 

My thoughts at the end of Eternals were pretty much the exact opposite of what I experienced with Dune. I was thankful that Eternals was over, and rather than wondering what would come next for the characters, I was left wondering where the heck the MCU was heading – and not in a good way.

 

__________

 

Ray Keating is the editor, publisher and economist for DisneyBizJournal.com, and author of the Pastor Stephen Grant novels and assorted nonfiction books. Have Ray Keating speak your group, business, school, church, or organization. Email him at raykeating@keatingreports.com.

 

The views expressed here are his own – after all, no one else should be held responsible for this stuff, right?

 

Great Christmas Gift! The Disney Planner 2022: The TO DO List Solution is here! It combines a simple, powerful system for getting things done with encouragement and fun for Disney fans, including those who love Mickey, Marvel, Star Wars, Indiana Jones, Pixar, princesses and more. Also, “The Disney Planner 2022: The TO DO List Solution” comes with a handy spiral binding for easy use. 

 

Keating has three new books out. Vatican Shadows: A Pastor Stephen Grant Novel is the 13th thriller/mystery in the Pastor Stephen Grant series. Get the paperback or Kindle edition at Amazon, or signed books at www.raykeatingonline.comPast Lives: A Pastor Stephen Grant Short Story is the 14th book in the series. Again, get the paperback or Kindle edition at Amazon, or signed book at www.raykeatingonline.com. And order the 15th book in the series What’s Lost? A Pastor Stephen Grant Short Story – grab it at Amazon.com or signed editions at www.raykeatingonline.com

 

Also, check out Ray’s podcasts – the Daily Dose of DisneyFree Enterprise in Three Minutes, and the PRESS CLUB C Podcast.

Sunday, February 9, 2020

DisneyBizJournal.com on the Oscars

by Ray Keating
Analysis
DisneyBizJournal.com
February 9, 2020

The Oscars air tonight on ABC, and Disney has an impressive 23 nominations. Here are a few items from DisneyBizJournal to read and get you in the right frame of mind...


• Will Fox Finally Bring Disney a Best Picture Oscar?” by Ray Keating– DisneyBizJournal.com– It’s surprising given its many successes over 90-plus years, but Disney has never won a Best Picture Oscar. In fact, it’s even more striking that coming into the 2020 Academy Awards ceremony, Disney previously had only five films nominated for Best Picture. Read at  

• “Animated Disney at the Oscars: The List of Winners and More” by Ray Keating – DisneyBizJournal.com – The first animated movie to be nominated for Best Picture at the Academy Awards was Disney’s 1991 Beauty and the Beast. A decade later came the Best Animated Feature Oscar, and domination by Disney. Read at  

• “Disney’s All-Time Oscar Count Heading Into the 92ndAcademy Awards” by Ray Keating – DisneyBizJournal.com – Heading into Sunday night’s Oscars, Disney already has a staggering number of Oscar wins under its belt. Read at  

• “Joker” vs. “Avengers: Endgame” by Ray Keating– DisneyBizJournal.com– “Joker” is the Oscars’ kind of superhero movie. How so? Well, it’s not really a superhero film. Meanwhile, “Avengers: Endgame” gets ignored. Read at 

• “Disney Cashes in on Fox Acquisition at Oscars” by Ray Keating - DisneyBizJournal.com –The Walt Disney Company’s Fox acquisition paid off quite nicely in terms of Oscar nominations. Get the rundown. Read at  

• “Will the Oscars Finally Recognize Superhero Films? The Lord of the Rings Example” by Ray Keating – DisneyBizJournal.com – Can Avengers: Endgame lay waste to Hollywood’s Oscar bias against superheroes? The recent announcement regarding telecast dates of the Oscars got me thinking about whether or not Avengers: Endgame might finally have the power to break through the Academy’s opposition to superheroes. If there’s hope on this front, it can be found in The Lord of the Rings movies. Read at  

Ray Keating is the editor, publisher and economist for DisneyBizJournal.com, and author of The Disney Planner 2020: The TO DO List Solution and the Pastor Stephen Grant novels. He can be contacted at  raykeating@keatingreports.com.

Thursday, January 23, 2020

“Joker” vs. “Avengers: Endgame”

by Ray Keating
Commentary
DisneyBizJournal.com
January 23, 2020

Joker is the Oscars’ kind of superhero movie. How so? Well, it’s not really a superhero film.


At the Academy Awards on the evening of February 9th, we’ll find out how well Joker performs in terms of what trophies it takes home. But with 11 nominations, including one for best picture, Joker already ranks as the biggest winner for a ... well ... superhero-related movie.

The problem is that Joker takes arguably the most well-known comic-book super-villain – the Joker – and makes him barely related to the DC universe. The movie itself is a strangely engrossing – though a convoluted story with lots of holes and a lack of originality – and dark take of one man’s descent into mental illness, violence and evil. But there’s nothing that really ties in with the superhero genre, nor is the character formidable in any way that super-villains tend to be, or even must be – including, well, the Joker.

Meanwhile, Avengers: Endgame, which hit theaters in April, served as a capstone for the first 22 movies in the Marvel Cinematic Universe. The movie provided nearly everything one might want from such a film (though it had its shortcomings as well), and it earned high praise from both critics and moviegoers. (See our review here.)

The audience not only was treated to the best of superheroes in Endgame, such as courage, sacrifice, loyalty, and compassion, but also to powerful resolutions for key characters, as well as to one of the most formidable villains in the history of superhero movies in Thanos. (See our take on Thanos here in our Infinity War review.)

In June, I wrote about Endgame and the Oscars, comparing it to the Lord of the Rings film trilogy, with The Return of the King winning best picture, best director (Peter Jackson), and a total of 11 Academy Awards at the 2004 Oscars. I concluded: “Endgame and the entire MCU truly rank as a monumental achievement in cinematic history – one that deserves recognition by the Academy. And that recognition should come not just in the form of a best picture nomination for Avengers: Endgame, but in the actual awarding of the best picture Oscar. It made sense for The Return of the King and it does for Avengers: Endgame.”

Nonetheless, Endgame only earned one nomination for visual effects.

Am I surprised that the Academy disagreed? Not at all. But I am disappointed. Meanwhile, I would argue that Black Panther (2018) remains as the lone superhero movie to be nominated for best picture – with Joker being, again, something other than a superhero movie. So, in reality, the Oscar bias against superhero films persists.

Ray Keating is the editor, publisher and economist for DisneyBizJournal.com, and author of The Disney Planner 2020: The TO DO List Solution and the Pastor Stephen Grant novels. He can be contacted at  raykeating@keatingreports.com.

Monday, September 7, 2020

“Chadwick Boseman — A Tribute for a King” Moves to Disney+

by Beth Keating
Commentary/Review
DisneyBizJournal.com
September 7, 2020

I’ve always been a fan of hero movies, whether they come in the form of hero quests such as Lord of the Rings, or the kind that come packaged as “Earth’s Mightiest Heroes.” It’s a good thing, since I live in a household of humans of the male variety. I have years of Halloween costumes representing half a dozen different forms of Batman, as well as a myriad of pint-sized Avengers costumes. Occasionally, the kids would dress in complementing pairs, such as Batman and Robin. A few times, we sent two different iterations of Batman out in the neighborhood side by side.


So, when a number of folks recommended watching the special that ABC created after Black Panther actor Chadwick Boseman’s untimely death, I tried to tune in. I had missed it in its original airing on August 30 on ABC, but was assured it had moved to Disney+. I pulled up Disney+, and settled back to watch the 40-minute tribute. Hosted by Robin Roberts, the special edition of 20/20 offered tributes from celebs and fans, and looked back at Boseman’s career and legacy. Boseman passed away on August 28 at just 43 years old, following a four-year battle with colon cancer.

But I couldn’t find the episode.  It wasn’t on any of the “Originals,” “Trending,” “Documentaries,” or “New to Disney+” menus up front. I tried putting the actual title of the show into the search bar, and it told me “No results found for ‘Chadwick Boseman — A Tribute for a King’.” I entered “Chadwick Boseman” and the titles of four marvel movies came up, but not the 20/20 special. I even put in “Black Panther” and only the movie itself showed up. 

Now, I am not known for my technological prowess in our home, but I figured it shouldn’t be this hard. I thought maybe it hadn’t started airing on Disney+ yet, but a quick Google search assured me it had been added, and was still airing. So back to the menus I went.

At long last, I found it. And in case you are interested too, let me share how to locate the special. First, find the Black Panther movie, then hit the “extras” menu. There you will find not only the ABC tribute special, but a trailer for the Black Panther movie; an audio commentary version; and several one minute featurettes, including “Come to Wakanda – After.” 

While playing T’Challa, the king of Wakanda, may have been one of the roles Chadwick Boseman was most recognized for, he had a twenty-plus-year career that showed his tremendous range as an actor. “Chadwick Boseman — A Tribute for a King” is a tug-at-the-heartstrings farewell to a talented performer whose on screen roles were just one part of a life that touched so many others.
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Beth Keating is a regular contributor to DisneyBizJournal.